Isbn: 9780851157917 - the making of peter grimes: essays: notes and commentaries: 6 (24 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

Soft cover. Condizione: Very Good. 4to, xviii + 252pp. Includes color facsimiles of musical scores. Softcover, in very good condition. Tight binding and crisp, clean, interior. No markings or signs of prior ownership. Slight shelf-wear or rubbing to extremities; corners lightly bumped, otherwise like new.…

Condizione: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD - PAPERBACKlight wear and scuff marks to cover, pages in nice condition, shipped from the UK.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. Historic accounts and new material illuminate the creation, early history and artistic intentions of Britten's first opera.The premiere of Peter Grimes on 7 June 1945 announced the emergence of the first great composer of opera in English since Purcell. Surviving documents offer evidence of the complex interaction of differing ideas about the possible shape and content of the new work, most notably the composition draft, which these essays are particularly concerned to illuminate. They juxtapose historic material with fresh studies: three items written by members of theteam involved in the 1945 production are set alongside specially-commissioned articles, with the three-fold intention of presenting the views of some of the creators of the opera, outlining the work's early history, and offeringcontemporary perspectives on its historical context and its message.Professor PAUL BANKS is Research Development Fellow at the Royal College of Music.Contributors: PAUL BANKS, PHILIP BRETT, BENJAMIN BRITTEN, ERIC CROZIER, DONALDMITCHELL, PETER PEARS, PHILIP REED, ROSAMUND STRODE. Packed away in its pages is a very large amount of new information. TIMES LITERARY SUPPLEMENT A fitting tribute to the opera's enduring international stature, and undoubtedly [a] significant achievement in Britten studies. MUSIC AND LETTERS.…

Condizione: new.

Condizione: New. 1997. Illustrated. Paperback. . . . . .

Soft cover. Condizione: Very Good. 269pp. b/w & colour plates. music examples. Very minor shelf wear to covers and beginnings of tanning to page margins, o'wise a lovely clean copy. HEAVY BOOK - OVERSEAS ORDERS MAY REQUIRE EXTRA POSTAGE.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Good. Volume 6. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9780851157917.…

Condizione: New. 1997. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: New. pp. 318.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Paperback. Condizione: Brand New. 270 pages. 11.75x8.50x0.75 inches. In Stock.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

softcover. Condizione: Sehr gut. 318 Seiten ISBN: 9780851157917 Sprache: Englisch Gewicht in Gramm: 1035.

Condizione: New. pp. 318.

Paperback. Condizione: New. Historic accounts and new material illuminate the creation, early history and artistic intentions of Britten's first opera.The premiere of Peter Grimes on 7 June 1945 announced the emergence of the first great composer of opera in English since Purcell. Surviving documents offer evidence of the complex interaction of differing ideas about the possible shape and content of the new work, most notably the composition draft, which these essays are particularly concerned to illuminate. They juxtapose historic material with fresh studies: three items written by members of theteam involved in the 1945 production are set alongside specially-commissioned articles, with the three-fold intention of presenting the views of some of the creators of the opera, outlining the work's early history, and offeringcontemporary perspectives on its historical context and its message.Professor PAUL BANKS is Research Development Fellow at the Royal College of Music.Contributors: PAUL BANKS, PHILIP BRETT, BENJAMIN BRITTEN, ERIC CROZIER, DONALDMITCHELL, PETER PEARS, PHILIP REED, ROSAMUND STRODE. Packed away in its pages is a very large amount of new information. TIMES LITERARY SUPPLEMENT A fitting tribute to the opera's enduring international stature, and undoubtedly [a] significant achievement in Britten studies. MUSIC AND LETTERS.…

Condizione: New. Satisfaction Guaranteed or your money back.