9780851708041 - Rome Open City: Roma Citta Aperta di Forgacs, David (27 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

paperback. Condizione: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Good. Book is in excellent overall condition, pages are tight. Some pages have yellow highlighting.

Paperback. Condizione: New. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.

Paperback. Condizione: new. Paperback. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Citta Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations. This study examines "Rome Open City" and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft Cover. Condizione: New. 2026 /basement script center.

Condizione: new.

Condizione: New. pp. 79 Illus., Map.

Paperback. Condizione: Brand New. illustrated edition. 79 pages. 7.50x5.50x0.25 inches. In Stock.

Condizione: New. This study examines "Rome Open City" and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record. Series: BFI Film Classics. Num Pages: 80 pages, biography. BIC Classification: APFA; APFD. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 190 x 136 x 6. Weight in Grams: 146. . 2000. Paperback. . . . .

Condizione: New. This study examines "Rome Open City" and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record. Series: BFI Film Classics. Num Pages: 80 pages, biography. BIC Classification: APFA; APFD. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 190 x 136 x 6. Weight in Grams: 146. . 2000. Paperback. . . . . Books ship from the US and Ireland.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9780851708041.

Condizione: New. pp. 79.

Paperback. Condizione: New.

Small Paper. Condizione: Very Good. First Edition. Critical study on the important Rossellini's neo-realist film that was based on events that took place in Rome during the Nazi occupation. The film made an international star of Anna Magnani. Illustrated with many stills. Fine. Laid in is a nice program for a film retro of 24 of her films that was held at the Film Society of Lincoln Center in 2016. Illustrated and with notes on each film. Book.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Softcover. First Edition; First Printing. Very Good+ in wraps. Owner personalization inked on FEP. ; BFI Film Classics; 80 pages.

Condizione: New. Satisfaction Guaranteed or your money back.

Paperback. Condizione: new. Paperback. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Citta Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations. This study examines "Rome Open City" and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Citta Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations. This study examines "Rome Open City" and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. This study examines Rome Open City and its place in Roberto Rossellini s career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Taschenbuch. Condizione: Neu. Neuware - Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.

Soft cover. Condizione: Very Good. The cover has some limited signs of wear. The pages are very good, white and clean with no notes or underlinings.

Paperback. Condizione: New. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.