9780875652412 - Threading Time: A Cultural History of Threadwork di Bausum, Dolores (26 risultati)

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Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

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Hardcover. Condizione: Very Good. 217 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket.

Hardcover. Condizione: New. American First.

Hardcover. Condizione: As New. No Jacket. 1st Edition. dj: none. book: as new Language: eng.

Hardcover. Condizione: New. Condizione sovraccoperta: New. American First. Cloth, dj. New. In shrinkwrap. In a ground-breaking survey taken primarily from literary sources, Threading Time reveals the essential link between the human spirit and the art of connecting threads. Whether looking at stories about clothing made in the Garden of Eden, a medieval manuscript, or modern fiction and poetry, the author traces the importance to humankind of a craft that has never ceased since it began at least forty thousand years ago. The author's conception of threadwork throughout is generic, including all kinds of work done with thread, yarn, or fiber. In the author's long-range view, threadwork becomes more than a garment, a rug, or a tapestry on the wall. It is often a bond shared with contemporaries and with ancestors, a link between humans and cultural beliefs, even a tie between humankind and the Divine. This age-old association of interwoven fibers and humanity is found today in a metaphor that is used to convey the concept of shared traditions, values, and beliefs: the fabric of society. A rip in the fabric can be alarming; mending it is necessary to avert instability and even chaos. Threading Time opens with stories from biblical traditions that continue to influence society. Next come portrayals of threadworkers in Greek and Roman myths and those suggested on the famous marble frieze carved on the Parthenon of Athens. The author then turns to Piers Plowman, Chartres Cathedral's windows, the Bayeux Tapestry, and other textile evidence from the medieval era; she suggests how threadwork in those centuries became identified with spiritual faith and belief in miracles. An illustrated French manuscript and the Apocalypse Tapestry highlight a discussion of changes in the lives of cloth workers that occurred during the Renaissance. Works by two Germans--playwright Gerhart Hauptmann and artist Käthe Kollwitz--illustrate labor struggles that persisted for centuries in textile production. Selections of poetry by English poets such as Robert Burns and William Blake provide glimpses of protests made by some against economic forces disrupting the lives of textile workers during the Industrial Revolution. Novels by Nathaniel Hawthorne, Edith Wharton, and D. H. Lawrence suggest that threadwork activity itself may arouse, release, or inhibit strong feelings, even erotic passion, between men and women. These novels also demonstrate that needlework and its products can be used to stigmatize, ostracize, or control an individual. Both fictional and real-life accounts follow in a discussion of works by three nineteenth-century writers--Charles Dickens, Louisa May Alcott, and Mary Boykin Chesnut--who illustrate the power of threadwork during wartime to transform solitary individuals into patriots and lift the morale of civilians who share common beliefs and objectives. Novels by Edith Gaskell, Edith Wharton, and Theodore Dreiser, as well as several memoirs, offer examples of textile work that individuals have done in peacetime when their daily survival hung by a thread. Finally, the author turns to twentieth-century American authors Margaret Mitchell, Alice Walker, Anna Quindlen, and John Updike for glimpses into families whose members are linked by threadwork. As an original view of threadwork written from a broad chronological perspective, Threading Time will appeal to textile artisans and collectors. It will also interest lay readers of literature, women's history, and cultural history.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Color and black and white illustrations throughout. First edition. Very good in a very good dust jacket.

Condizione: New.

Condizione: New. Brand New.

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Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. In a survey taken primarily from literary sources, this volume reveals the essential link between the human spirit and the art of connecting threads. Whether looking at stories about clothing made in the Garden of Eden, a mediaeval manuscript, or modern fiction and poetry, the author traces the importance to humankind of a craft that has never ceased since it began thousands of years ago. The author's conception of threadwork throughout is generic, including all kinds of work done with thread, yarn or fibre. In the author's view, threadwork becomes more than a garment, a rug, or a tapestry on the wall. It is often a bond shared with contemporaries and with ancestors, a links between humans and cultural beliefs, even a tie between humankind and the Divine. This age-old association of interwoven fibres and humanity is found today in a metaphor that is used to convey the concept of shared traditions, values and beliefs - the fabric of society. A rip in the fabric can be alarming; mending it is necessary to avert instability and even chaos. The volume discusses work such as: stories from biblical traditions; Greek and Roman myths; ""Piers Plowman""; the Bayeux Tapestry and other mediaeval textile evidence; French manuscripts; selections of poetry by English writers such as Robert Burns and William Blake; and novels by Nathaniel Hawthorne, Edith Wharton, D.H. Lawrence, Charles Dickens, Louisa May Alcott, Mary Boykin Chesnut, Edith Wharton, Margaret Mitchell and Alice Walker. In a survey taken primarily from literary sources, this volume reveals the link between the human spirit and the art of connecting threads. It discusses tapestries, manuscripts, novels, poetry and more to trace the importance to humankind of a craft that began thousands of years ago. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Brand New. 217 pages. 10.00x7.00x0.75 inches. In Stock.

Condizione: New. In a survey taken primarily from literary sources, this volume reveals the link between the human spirit and the art of connecting threads. It discusses tapestries, manuscripts, novels, poetry and more to trace the importance to humankind of a craft that began thousands of years ago. Num Pages: 240 pages, 21 colour illustrations, 5 b&w photographs, notes, bibliography, index. BIC Classification: JFC; WFB. Category: (G) General (US: Trade). Dimension: 254 x 178 x 15. Weight in Grams: 798. . 2001. First Edition. Hardcover. . . . .

Condizione: New.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New. In a survey taken primarily from literary sources, this volume reveals the link between the human spirit and the art of connecting threads. It discusses tapestries, manuscripts, novels, poetry and more to trace the importance to humankind of a craft that began thousands of years ago. Num Pages: 240 pages, 21 colour illustrations, 5 b&w photographs, notes, bibliography, index. BIC Classification: JFC; WFB. Category: (G) General (US: Trade). Dimension: 254 x 178 x 15. Weight in Grams: 798. . 2001. First Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Gebunden. Condizione: New. In a survey taken primarily from literary sources, this volume reveals the link between the human spirit and the art of connecting threads. It discusses tapestries, manuscripts, novels, poetry and more to trace the importance to humankind of a craft that be.

Buch. Condizione: Neu. Neuware - In a survey taken primarily from literary sources, this volume reveals the essential link between the human spirit and the art of connecting threads. Whether looking at stories about clothing made in the Garden of Eden, a mediaeval manuscript, or modern fiction and poetry, the author traces the importance to humankind of a craft that has never ceased since it began thousands of years ago. The author's conception of threadwork throughout is generic, including all kinds of work done with thread, yarn or fibre. In the author's view, threadwork becomes more than a garment, a rug, or a tapestry on the wall. It is often a bond shared with contemporaries and with ancestors, a links between humans and cultural beliefs, even a tie between humankind and the Divine. This age-old association of interwoven fibres and humanity is found today in a metaphor that is used to convey the concept of shared traditions, values and beliefs - the fabric of society. A rip in the fabric can be alarming; mending it is necessary to avert instability and even chaos. The volume discusses work such as: stories from biblical traditions; Greek and Roman myths; ''Piers Plowman''; the Bayeux Tapestry and other mediaeval textile evidence; French manuscripts; selections of poetry by English writers such as Robert Burns and William Blake; and novels by Nathaniel Hawthorne, Edith Wharton, D.H. Lawrence, Charles Dickens, Louisa May Alcott, Mary Boykin Chesnut, Edith Wharton, Margaret Mitchell and Alice Walker.

Hardcover. Condizione: new. Hardcover. In a survey taken primarily from literary sources, this volume reveals the essential link between the human spirit and the art of connecting threads. Whether looking at stories about clothing made in the Garden of Eden, a mediaeval manuscript, or modern fiction and poetry, the author traces the importance to humankind of a craft that has never ceased since it began thousands of years ago. The author's conception of threadwork throughout is generic, including all kinds of work done with thread, yarn or fibre. In the author's view, threadwork becomes more than a garment, a rug, or a tapestry on the wall. It is often a bond shared with contemporaries and with ancestors, a links between humans and cultural beliefs, even a tie between humankind and the Divine. This age-old association of interwoven fibres and humanity is found today in a metaphor that is used to convey the concept of shared traditions, values and beliefs - the fabric of society. A rip in the fabric can be alarming; mending it is necessary to avert instability and even chaos. The volume discusses work such as: stories from biblical traditions; Greek and Roman myths; ""Piers Plowman""; the Bayeux Tapestry and other mediaeval textile evidence; French manuscripts; selections of poetry by English writers such as Robert Burns and William Blake; and novels by Nathaniel Hawthorne, Edith Wharton, D.H. Lawrence, Charles Dickens, Louisa May Alcott, Mary Boykin Chesnut, Edith Wharton, Margaret Mitchell and Alice Walker. In a survey taken primarily from literary sources, this volume reveals the link between the human spirit and the art of connecting threads. It discusses tapestries, manuscripts, novels, poetry and more to trace the importance to humankind of a craft that began thousands of years ago. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.