Isbn: 9780875653815 - calvin littlejohn: portrait of a community in black and white (24 risultati)

Hardback. Condizione: Good. In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. This was the Jim Crow era, when mainstream newspapers wouldn't publish pictures of black citizens and white photographers wouldn't take pictures in black schools. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. And there would be nothing remotely related to the white culture's depictions of Amos 'n' Andy or black kids grinning over a slice of watermelon in Littlejohn's portrayal of his adopted home and the people he came to appreciate and love. Littlejohn's natural aptitude for drawing had been honed by correspondence courses in graphic design and a stint in a photo shop where he learned about the camera, lighting, and the use of shadows. When Littlejohn was assigned to be the official photographer at I. M. Terrell - the city's only black high school at the time - his professional career was launched. Unlike many segregated cities, where blacks lived only in one section, blacks in Cowtown lived in every quadrant of the city. There was a thriving black business district, with hotels, restaurants, a movie theater, a bank, and a major hospital, pharmacy, and nursing school. And of course, there were the schools and churches. All would eventually be seen through Littlejohn's lens. Although he never set out to be the documentarian of Fort Worth's black community, he did what he set out to do: to capture the best of a community, focusing on its good times. This book features more than 150 shots Littlejohn captured over the course of his career. …

Condizione: acceptable. Book shows noticeable wear from use. May include writing, highlighting, or other markings, but not excessive. Cover or edges may have visible wear. The book remains complete and fully readable.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condizione: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition. Please note: -May include library or rental stickers, stamps, or markings. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading.…

Hardback. Condizione: Good. In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. This was the Jim Crow era, when mainstream newspapers wouldn't publish pictures of black citizens and white photographers wouldn't take pictures in black schools. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. And there would be nothing remotely related to the white culture's depictions of Amos 'n' Andy or black kids grinning over a slice of watermelon in Littlejohn's portrayal of his adopted home and the people he came to appreciate and love. Littlejohn's natural aptitude for drawing had been honed by correspondence courses in graphic design and a stint in a photo shop where he learned about the camera, lighting, and the use of shadows. When Littlejohn was assigned to be the official photographer at I. M. Terrell - the city's only black high school at the time - his professional career was launched. Unlike many segregated cities, where blacks lived only in one section, blacks in Cowtown lived in every quadrant of the city. There was a thriving black business district, with hotels, restaurants, a movie theater, a bank, and a major hospital, pharmacy, and nursing school. And of course, there were the schools and churches. All would eventually be seen through Littlejohn's lens. Although he never set out to be the documentarian of Fort Worth's black community, he did what he set out to do: to capture the best of a community, focusing on its good times. This book features more than 150 shots Littlejohn captured over the course of his career. …

Condizione: Very Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

hardcover. Condizione: Good. Hardcover and dusk jacket ex-library with typical marks shows moderate cover wear. Text is unmarked. Ships FAST.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condizione: New. Brand New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. This was the Jim Crow era, when mainstream newspapers wouldn't publish pictures of black citizens and white photographers wouldn't take pictures in black schools. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. And there would be nothing remotely related to the white culture's depictions of Amos 'n' Andy or black kids grinning over a slice of watermelon in Littlejohn's portrayal of his adopted home and the people he came to appreciate and love. Littlejohn's natural aptitude for drawing had been honed by correspondence courses in graphic design and a stint in a photo shop where he learned about the camera, lighting, and the use of shadows. When Littlejohn was assigned to be the official photographer at I. M. Terrell - the city's only black high school at the time - his professional career was launched. Unlike many segregated cities, where blacks lived only in one section, blacks in Cowtown lived in every quadrant of the city. There was a thriving black business district, with hotels, restaurants, a movie theater, a bank, and a major hospital, pharmacy, and nursing school. And of course, there were the schools and churches. All would eventually be seen through Littlejohn's lens. Although he never set out to be the documentarian of Fort Worth's black community, he did what he set out to do: to capture the best of a community, focusing on its good times. This book features more than 150 shots Littlejohn captured over the course of his career. In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. This book features more than 150 shots Littlejohn captured over the course of his career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. dj: as new. book: as new.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. Dust jacket in good condition. First edition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. CLEAN COVER AND CONTENT PAGES. New protective mylar applied to dust jacket before shipping. Secure packaging for safe delivery.…

Condizione: New. In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. This book features more than 150 shots Littlejohn captured over the course of his career. Num Pages: 216 pages, 178 b&w photos, photography. BIC Classification: 1KBBSX; AJB; AJC. Category: (G) General (US: Trade). Dimension: 216 x 279 x 23. Weight in Grams: 1361. . 2009. Hardcover. . . . .…

Condizione: New. In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. This book features more than 150 shots Littlejohn captured over the course of his career. Num Pages: 216 pages, 178 b&w photos, photography. BIC Classification: 1KBBSX; AJB; AJC. Category: (G) General (US: Trade). Dimension: 216 x 279 x 23. Weight in Grams: 1361. . 2009. Hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Condizione: Brand New. 201 pages. 8.50x11.00x1.00 inches. In Stock.

Condizione: New. pp. 216.

Condizione: New. pp. 216.

Gebunden. Condizione: New. In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. This book features more than 150 shots Littlejohn captured ov.

Buch. Condizione: Neu. Neuware - In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. This was the Jim Crow era, when mainstream newspapers wouldn't publish pictures of black citizens and white photographers wouldn't take pictures in black schools. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. And there would be nothing remotely related to the white culture's depictions of Amos 'n' Andy or black kids grinning over a slice of watermelon in Littlejohn's portrayal of his adopted home and the people he came to appreciate and love. Littlejohn's natural aptitude for drawing had been honed by correspondence courses in graphic design and a stint in a photo shop where he learned about the camera, lighting, and the use of shadows. When Littlejohn was assigned to be the official photographer at I. M. Terrell - the city's only black high school at the time - his professional career was launched. Unlike many segregated cities, where blacks lived only in one section, blacks in Cowtown lived in every quadrant of the city. There was a thriving black business district, with hotels, restaurants, a movie theater, a bank, and a major hospital, pharmacy, and nursing school. And of course, there were the schools and churches. All would eventually be seen through Littlejohn's lens. Although he never set out to be the documentarian of Fort Worth's black community, he did what he set out to do: to capture the best of a community, focusing on its good times. This book features more than 150 shots Littlejohn captured over the course of his career.…