9780883970089 - eighteenth century master drawings from the ashmolean di garlick, kenneth j. (6 risultati)

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Da: Half Price Books Inc., Dallas, TX, U.S.A.Half Price Books Inc.
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Da: Storm Mountain Books, Silver Spring, MD, U.S.A.Storm Mountain Books
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EUR 15,69
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Condizione: Used: Very Good. Original 1979 softbound edition in very good overall condition. No underlining, NOT EX-LIBRARY!!! (B).

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Da: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, ItaliaLibro Co. Italia Srl
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Brossura. Condizione: fine. English Text.Vermont, 1979; paperback, pp. 40. Libro.

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Da: Mooney's bookstore, Den Helder, Paesi BassiMooney's bookstore
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Altre immagini- Brossura
Da: West Cove UK, Wellington, Regno UnitoWest Cove UK
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Softcover. Condizione: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. Pub Year 1980, See images for condition. About the book >.>.> Eighteenth Century Master Drawings from the Ashmolean by Kenneth Garlick explores the dynamic and often serendipitous pr…ocess of building a significant museum collection, specifically focusing on the Ashmolean Museum, a part of the University of Oxford. The book highlights that the development of such collections is frequently more reliant on chance than on a meticulously planned strategy. While there are instances when an acquisition policy is pursued due to available funds and a seemingly secure future, circumstances can rapidly shift. For example, funding can unexpectedly diminish, or a remarkable gift may necessitate a reevaluation of existing policies or strategies.The narrative delves into the complexities faced by institutions like the Ashmolean, which are steeped in history, given that its origins trace back to the establishment of collegiate structures at the University of Oxford in the thirteenth century. Despite its venerable status, the museum's collection-building process is characterised by its need for flexibility, creativity, and individual vision. Garlick's insights reveal that beyond policy and funding, the personal touch and aesthetic sensibility of curators play a vital role in shaping collections that resonate with the public. Through meticulous examination, the book provides a detailed account of the collection of eighteenth-century master drawings, offering readers not only a glimpse into the artworks themselves but also the fluctuating nature of museum curation in the face of changing circumstances.

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Da: SHIMEDIA, Brooklyn, NY, U.S.A.SHIMEDIA
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