Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Condizione: Good. Reprint. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Prima edizione
Trade Paperback. Condizione: Fine-. 1st printing. 218pp. Size: 8vo - over 7¾" - 9¾" tall.
Lingua: Inglese
Editore: Toronto, Ontario, Canada: House of Anansi Press, 2002, 2002
ISBN 10: 088784684X ISBN 13: 9780887846847
Da: Black and Read Books, Music & Games, Arvada, CO, U.S.A.
Prima edizione
First Edition. Reprint edition. A brand new book ! Head of the spine has small creases and a tiny chipp / some bumping.
Da: Bookfever, IOBA (Volk & Iiams), Ione, CA, U.S.A.
Condizione: VERY GOOD. Trade paperback. Canadian author's second book, a collection of ten short stories; finalist for the Giller Prize. 215 pp. Near fine.
EUR 9,03
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good.
Lingua: Inglese
Editore: House Of Anansi Press, Incorporated, Toronto, Ontario, Canada, 2005
ISBN 10: 088784684X ISBN 13: 9780887846847
Da: M. W. Cramer Rare and Out Of Print Books, Toronto, ON, Canada
Prima edizione Copia autografata
EUR 14,45
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Near Fine. 1st Edition. The book is inscribed and signed by Lisa Moore on the full title page. The book is near fine with slight edge wear. Inscribed by Author(s).
EUR 4,61
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. 218 pages. Cover wornThe only certainty in life, according to these stories, comes from the accumu lation of moments that refuse to be contained. The stories in Open cover these m oments, familiar territory in the hands of most writers, in unfamiliar ways. The.