9780911209716 - a small radius of light: g. daniel massad, a retrospective di robinson, joyce henri; massad, g. daniel (10 risultati)
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. A Small Radius of Light maps the territory artist G. Daniel Massad has explored for almost four decades. After earning degrees in English at Princeton and the University of Chicago and working for a time as a psychotherapist, Massad made the decision to pursue graduate work in painting in 1979. Two yea…rs later, while working on his MFA at the University of Kansas, Massad made an unexpected shift from abstraction to still life, and from oil to pastel as a painting medium. His abandonment of painterly gesture for knife-edge precisionism led him in the late 1980s to the painstaking reenactment of minute detail in order to express, as he puts it, "the way I encounter the world." Since 1990, still life's traditional tabletop and its implied interior space have given way in his work to less easily definable architectural fragments of brick or stone; the darkness surrounding these broken walls and cairns is deep, immeasurable, and richly potent. Over the last two decades, Massad has moved past description and metaphor, layering into his images other kinds of data-maps, words, numbers, constellations, personal symbols-all of which suggest readings of his remarkable still lifes as aniconic portraiture, implied narrative, and visual autobiography. This book accompanies an exhibition of the same name organized by the Palmer Museum of Art and features a comprehensive essay by curator Joyce Henri Robinson and forty-three "backstories" by the artist. These memoir-like reflections invite us to peer into Massad's artistic, emotional, and mental process as he moves from making the intangible tangible, revealing along the way sources and associations that precede the final reenactment of the world around him-a world brought into focus by a small radius of light.
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Da: Chiron Media, Wallingford, , Regno UnitoChiron Media
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Hardcover. Condizione: New.
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Da: Revaluation Books, Exeter, , Regno UnitoRevaluation Books
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Hardcover. Condizione: Brand New. sew edition. 232 pages. 11.50x8.75x0.89 inches. In Stock.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New.
Lingua: Inglese
Editore: Penn State University Press, University Park, PA 2018
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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Hardcover. Condizione: VG/VG. Black and color-illustrated wraps with tan and brown lettering. xiii, 212 pp. Mainly color illustrations. Published in conjunction with an exhibition held at the Palmer Museum of Art, University Park, Pennsylvania, September 25-December 9, 2018./.
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Da: moluna, Greven, , Germaniamoluna
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Condizione: New.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Buch. Condizione: Neu. Neuware.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Hardback. Condizione: New. A Small Radius of Light maps the territory artist G. Daniel Massad has explored for almost four decades. After earning degrees in English at Princeton and the University of Chicago and working for a time as a psychotherapist, Massad made the decision to pursue graduate work in painting in 1979. Two yea…rs later, while working on his MFA at the University of Kansas, Massad made an unexpected shift from abstraction to still life, and from oil to pastel as a painting medium. His abandonment of painterly gesture for knife-edge precisionism led him in the late 1980s to the painstaking reenactment of minute detail in order to express, as he puts it, "the way I encounter the world." Since 1990, still life's traditional tabletop and its implied interior space have given way in his work to less easily definable architectural fragments of brick or stone; the darkness surrounding these broken walls and cairns is deep, immeasurable, and richly potent. Over the last two decades, Massad has moved past description and metaphor, layering into his images other kinds of data-maps, words, numbers, constellations, personal symbols-all of which suggest readings of his remarkable still lifes as aniconic portraiture, implied narrative, and visual autobiography. This book accompanies an exhibition of the same name organized by the Palmer Museum of Art and features a comprehensive essay by curator Joyce Henri Robinson and forty-three "backstories" by the artist. These memoir-like reflections invite us to peer into Massad's artistic, emotional, and mental process as he moves from making the intangible tangible, revealing along the way sources and associations that precede the final reenactment of the world around him-a world brought into focus by a small radius of light.
