9780935573459 - the "writing" of modern life: the etching revival in france, britain, and the u.s., 1850-1940 di helsinger, elizabeth k.; tedeschi, martha; arnar, anna sigriour; morehead, allison; nerstad, erin (19 risultati)
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"Writing" of Modern Life : The Etching Revival in France, Britain, and the U.S., 1850-1940
Helsinger, Elizabeth K.; Tedeschi, Martha; Arnar, Anna Sigriour; Morehead, Allison; Nerstad, Erin
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"Writing" of Modern Life : The Etching Revival in France, Britain, and the U.S., 1850-1940
Helsinger, Elizabeth K.; Tedeschi, Martha; Arnar, Anna Sigriour; Morehead, Allison; Nerstad, Erin
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Paperback. Condizione: New. What is it about etching that renders it - according to both the poet-critic Charles Baudelaire and the visionary artist Samuel Palmer - a medium of writing? And, moreover, what makes etching equally adaptable to the expression of both memory and modernity? "The 'Writing' of Modern Life" examines Brit…ish, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. Whether or not these printmakers viewed etching as a medium for expressing thoughts or personality, as Baudelaire and Palmer claimed, they did find in the craft a way to suggest both elegiac recollection and the visual strangeness of modern life.Containing essays by Martha Tedeschi, Peyton Skipwith, Anna Arnar, Allison Morehead, and Elizabeth Helsinger, and generously illustrated with works by both well-known and lessheralded printmakers, "The 'Writing' of Modern Life" is an interdisciplinary collection that will appeal to literary and art historians alike.
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The "Writing" of Modern Life The Etching Revival in France, Britain, and the U.S., 18501940
Helsinger, Elizabeth K./ Tedeschi, Martha/ Arnar, Anna Sigriour/ Morehead, Allison/ Nerstad, Erin
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"Writing" of Modern Life : The Etching Revival in France, Britain, and the U.S., 1850-1940
Helsinger, Elizabeth K.; Tedeschi, Martha; Arnar, Anna Sigriour; Morehead, Allison; Nerstad, Erin
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"Writing" of Modern Life : The Etching Revival in France, Britain, and the U.S., 1850-1940
Helsinger, Elizabeth K.; Tedeschi, Martha; Arnar, Anna Sigriour; Morehead, Allison; Nerstad, Erin
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Condizione: New. Examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. This title is suitable for literary and art historians alike. Num Pages: 104 pages, 75 halftones. BIC C…lassification: 1DBK; 1DDF; 1KBB; AFH. Category: (G) General (US: Trade). Dimension: 279 x 203 x 10. Weight in Grams: 510. . 2009. Illustrated. paperback. . . . .
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Condizione: New. Examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. This title is suitable for literary and art historians alike. Num Pages: 104 pages, 75 halftones. BIC C…lassification: 1DBK; 1DDF; 1KBB; AFH. Category: (G) General (US: Trade). Dimension: 279 x 203 x 10. Weight in Grams: 510. . 2009. Illustrated. paperback. . . . . Books ship from the US and Ireland.
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Condizione: New. Examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. This title is suitable for literary and art his.
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Taschenbuch. Condizione: Neu. Neuware - Examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. This title is suitable for literary and art historians alike.
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Paperback. Condizione: New. What is it about etching that renders it - according to both the poet-critic Charles Baudelaire and the visionary artist Samuel Palmer - a medium of writing? And, moreover, what makes etching equally adaptable to the expression of both memory and modernity? "The 'Writing' of Modern Life" examines Brit…ish, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. Whether or not these printmakers viewed etching as a medium for expressing thoughts or personality, as Baudelaire and Palmer claimed, they did find in the craft a way to suggest both elegiac recollection and the visual strangeness of modern life.Containing essays by Martha Tedeschi, Peyton Skipwith, Anna Arnar, Allison Morehead, and Elizabeth Helsinger, and generously illustrated with works by both well-known and lessheralded printmakers, "The 'Writing' of Modern Life" is an interdisciplinary collection that will appeal to literary and art historians alike.
Lingua: Inglese
Editore: Museum; University of Chicago Press (Distribution), 2008
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Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
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Paperback. Condizione: New. Orderbook - wwb -----THE "WRITING" OF MODERN LIFE: THE ETCHING REVIVAL IN FRANCE, BRITAIN AND THE U. S. , 1850-1940. Elizabeth Helsinger et al. David and Alfred Smart Museum of Art, University of Chicago, 2008. Distributed by University of Chicago Press. 112 pp. With 89 ills. (29 col. ). 28 x 21 cm. L…C 2008-23585 ISBN 9780935573459. In English. Indexing: _Western_ _1800-1900_ _1900-1945_ _Graphic Art_ Plans: 71 75 Worldwide Number 070061 Paperbound $20.00x99 / CHANGE0722022; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- Text in English. 112 pp. With 89 ills. (29 col. ). 28 x 21 cm. -- with a bonus offer--; What is it about etching that renders itâ"according to both the poet-critic Charles Baudelaire and the visionary artist Samuel Palmerâ"a medium of writing? And, moreover, what makes etching equally adaptable to the expression of both memory and modernity? The âWritingâ of Modern Life examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. Whether or not these printmakers viewed etching as a medium for expressing thoughts or personality, as Baudelaire and Palmer claimed, they did find in the craft a way to suggest both elegiac recollection and the visual strangeness of modern life. Containing essays by Martha Tedeschi, Peyton Skipwith, Anna Arnar, Allison Morehead, and Elizabeth Helsinger, and generously illustrated with works by both well-known and less-heralded printmakers, The âWritingâ of Modern Life is an interdisciplinary collection that will appeal to literary and art historians alike.
