ISBN: 9780943056371 - the virtual tourist in renaissance rome: printing and collecting the speculum romanae magnificentiae (19 risultati)

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: New. Brand New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. 74th ed. In 1540 Antonio Lafreri, a native of Besancon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints - of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens - evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. \Collections of these prints came to be known as the "Speculum Romanae Magnificentiae", the "Mirror of Roman Magnificence." Published in conjunction with an exhibition of the University of Chicago Library's "Speculum Romanae Magnificentiae", the largest collection of its kind in the world, "The Virtual Tourist in Renaissance Rome" places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealers - "virtual tourists" who, over several centuries, revisited and reinvented the Renaissance image of Rome.A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.…

Paperback. Condizione: Brand New. illustrated edition. 176 pages. 11.00x8.00x0.50 inches. In Stock.

Brossura. Condizione: fine. Edited by Rebecca Zorach.English Text.Chicago, 2008; paperback, pp. 184, b/w ill., cm 22x25,5. Libro.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2008. Paperback. In 1540 Antonio Lafreri migrated to Rome and began publishing maps and other printed images that depicted major monuments and antiquities in Rome. This volume places these prints in their historical context and examines their publishing history. It traces their journey from the creator and publishers to pilgrims, collectors, and, dealers. Editor(s): Zorach, Rebecca. Num Pages: 176 pages, 100 halftones. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 205 x 279 x 15. Weight in Grams: 872. . . . . .…

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2008. Paperback. In 1540 Antonio Lafreri migrated to Rome and began publishing maps and other printed images that depicted major monuments and antiquities in Rome. This volume places these prints in their historical context and examines their publishing history. It traces their journey from the creator and publishers to pilgrims, collectors, and, dealers. Editor(s): Zorach, Rebecca. Num Pages: 176 pages, 100 halftones. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 205 x 279 x 15. Weight in Grams: 872. . . . . . Books ship from the US and Ireland.…

Taschenbuch. Condizione: Neu. Neuware - In 1540 Antonio Lafreri, a native of Besançon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints--of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens--evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. Collections of these prints came to be known as the Speculum Romanae Magnificentiae, the 'Mirror of Roman Magnificence.' Published in conjunction with an exhibition of the University of Chicago Library's Speculum Romanae Magnificentiae, the largest collection of its kind in the world, The Virtual Tourist in Renaissance Rome places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealers--'virtual tourists' who, over several centuries, revisited and reinvented the Renaissance image of Rome. A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.…

Condizione: New. In 1540 Antonio Lafreri migrated to Rome and began publishing maps and other printed images that depicted major monuments and antiquities in Rome. This volume places these prints in their historical context and examines their publishing history. It traces t.

Paperback. Condizione: New. 74th ed. In 1540 Antonio Lafreri, a native of Besancon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints - of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens - evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. \Collections of these prints came to be known as the "Speculum Romanae Magnificentiae", the "Mirror of Roman Magnificence." Published in conjunction with an exhibition of the University of Chicago Library's "Speculum Romanae Magnificentiae", the largest collection of its kind in the world, "The Virtual Tourist in Renaissance Rome" places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealers - "virtual tourists" who, over several centuries, revisited and reinvented the Renaissance image of Rome.A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.…

Paperback. Condizione: New. In 1540 Antonio Lafreri, a native of Besançon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These printsâ"of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizensâ"evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. Collections of these prints came to be known as the Speculum Romanae Magnificentiae, the âMirror of Roman Magnificence.â Published in conjunction with an exhibition of the University of Chicago Libraryâs Speculum Romanae Magnificentiae, the largest collection of its kind in the world, The Virtual Tourist in Renaissance Rome places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealersâ"âvirtual touristsâ who, over several centuries, revisited and reinvented the Renaissance image of Rome. A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.…