ISBN: 9780946311019 - 18th century colour palettes (17 risultati)

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Paperback. Condizione: new. Paperback. Pigments described by the English chemist, Robert Dossie, the French artists' colourman, Jean Felix Watin, and the London-based pigment maker, Constant de Massoul. 18th century European painting saw the introduction of new pigments to the painters' palettes, from Prussian Blue to the early synthetics such as Patent Yellow. It was a century rich in pigments, the authors of the treatises listing over 150 pigments that could be bought in the shops in London and Paris. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, SELLING POINT: . 18the century palettes used in France and England described by a pigment maker (Constant de Missoula), an artist's colourman (Jean Felix Watin) and a scientist (Robert Dossie). 18th century European painting saw the introduction of new pigments, the descriptions here given by 3 18th century authors: a French colour merchant, an English scientist, and a London pigment maker. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: New. Brand New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

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Paperback. Condizione: New.

Paper Back. Condizione: New.

Condizione: New. 2018. Paperback. . . . . .

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Paperback. Condizione: Brand New. 168 pages. 8.75x7.00x0.50 inches. In Stock.

Paperback. Condizione: new. Paperback. Pigments described by the English chemist, Robert Dossie, the French artists' colourman, Jean Felix Watin, and the London-based pigment maker, Constant de Massoul. 18th century European painting saw the introduction of new pigments to the painters' palettes, from Prussian Blue to the early synthetics such as Patent Yellow. It was a century rich in pigments, the authors of the treatises listing over 150 pigments that could be bought in the shops in London and Paris. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, SELLING POINT: . 18the century palettes used in France and England described by a pigment maker (Constant de Missoula), an artist's colourman (Jean Felix Watin) and a scientist (Robert Dossie). 18th century European painting saw the introduction of new pigments, the descriptions here given by 3 18th century authors: a French colour merchant, an English scientist, and a London pigment maker. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - Pigments described by the English chemist, Robert Dossie, the French artists' colourman, Jean F¿x Watin, and the London-based pigment maker, Constant de Massoul. 18th century European painting saw the introduction of new pigments to the painters¿ palettes, from Prussian Blue to the early synthetics such as Patent Yellow. It was a century rich in pigments, the authors of the treatises listing over 150 pigments that could be bought in the shops in London and Paris. …

Kartoniert / Broschiert. Condizione: New.

Paperback. Condizione: New.