ISBN: 9780948462221 - c. r. mackintosh: the poetics of workmanship (13 risultati)

Paperback. Condizione: New. Between 1896 and 1906, Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective 'poetics of workmanship', in which the structure, features, interiors and furnishings of each individual building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved allowed the formulation of an almost infinite series of ensembles.After focusing on the various decorative details and interior spaces of Mackintosh's buildings the author reaches to the heart of Mackintosh's poetic system - the suffused eroticism of the sleek, 'feminine' and intensely private 'white interiors'. A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. illustrated edition. 152 pages. 9.00x6.00x0.50 inches. In Stock.

Condizione: New. pp. 152.

Condizione: New. Between 1896 and 1906, Charles Rennie Mackintosh (1868 - 1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. Series: Essays in Art & Culture. Num Pages: 160 pages, 10 colour and 63 b&w illustrations. BIC Classification: AM. Category: (G) General (US: Trade); (P) Professional & Vocational; (UU) Undergraduate. Dimension: 235 x 155 x 13. Weight in Grams: 385. . 1992. Reaktion Books. paperback. . . . . …

Condizione: New. Between 1896 and 1906, Charles Rennie Mackintosh (1868 - 1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. Series: Essays in Art & Culture. Num Pages: 160 pages, 10 colour and 63 b&w illustrations. BIC Classification: AM. Category: (G) General (US: Trade); (P) Professional & Vocational; (UU) Undergraduate. Dimension: 235 x 155 x 13. Weight in Grams: 385. . 1992. Reaktion Books. paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. pp. 152.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condizione: New. New.

Taschenbuch. Condizione: Neu. Neuware - A persuasive reappraisal of the work of Charles Rennie Mackintosh, whose buildings and interiors in and around Glasgow, Scotland, established him as one of the great figures of early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective 'poetics of workmanship,' in which the structure, features, interiors and furnishings of each building became subject to a unifying system of forms, metaphors and unconscious associations.'Informative and exciting & it makes compulsive reading.'-'Journal of Design History' 'A marvellous book.'-'Architect's Journal'.…

Kartoniert / Broschiert. Condizione: New. &Uumlber den AutorDavid Brett is Reader in History of Design, University of Ulster, Belfast.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New. Between 1896 and 1906, Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective 'poetics of workmanship', in which the structure, features, interiors and furnishings of each individual building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved allowed the formulation of an almost infinite series of ensembles.After focusing on the various decorative details and interior spaces of Mackintosh's buildings the author reaches to the heart of Mackintosh's poetic system - the suffused eroticism of the sleek, 'feminine' and intensely private 'white interiors'. A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.…