Isbn: 9780967924915 - the ultimate guide to buying and selling co-ops and condos in new york city (3 risultati)

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  • Lingua: Inglese

    Editore: Nice Idea Pub, 2013

    096792491X / 9780967924915

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    Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)

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    Condizione: Usato - Buono

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    Condizione: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

  • Lingua: Inglese

    Editore: Nice Idea Pub, 2013

    096792491X / 9780967924915

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    Da: GoldBooks, Denver, CO, U.S.A.GoldBooks

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    Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

  • Lingua: Inglese

    Editore: Nice Idea Publishing, Inc., 2013

    096792491X / 9780967924915

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    Da: World of Books Inc, Montgomery, IL, U.S.A.World of Books Inc

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    Paperback. Condizione: Good. Since the release of his breakout film>Irr versible>in 2002, Gaspar No (b. 1963) has been labeled the principal>provocateur of twenty-first-century French cinema. While many of the filmmaker's complex and daring works have been reduced by his critics to their (innumerable) depictions of hallucinogens, violence, and unsimulated sexual intercourse--the latter rendered into vertiginous 3D with his film>Love--other viewers have remained in steady awe of No 's dizzying camerawork, immersive visuality, and expressive editing. No 's cinema greets the short attention spans of digital life with works of extremities and endurance for performers and spectators alike. This first-of-its-kind collection of interviews documents No 's engagement with the feverish reception of his work and received ideas about his life and politics. Collecting conversations with critics, scholars, and artists, including fellow directors Matthew Barney, Abel Ferrara, and Harmony Korine, No speaks about his process as a writer, director, cinematographer, and editor. Also examined are his engagement with developing film technology and his fascination and indebtedness to past filmmakers such as Pier Paolo Pasolini, Jean Eustache, Stanley Kubrick, and Sam Peckinpah. No discusses life in Buenos Aires and emigrating to France, his use of irony and melodrama, and his interest in documentary practices. Throughout, No explores his continuing examination of faith and secularism, body and mind, and the politics of spectatorship. Editor Geoffrey Lokke's introduction provides a close reading of No in conversation, assessing what has changed over the years in terms of the filmmaker's aesthetics and presentation of self, as well as what No is reticent to articulate about his life and art.