Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Condizione: New.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.
Condizione: As New. Unread book in perfect condition.
Paperback. Condizione: new. Paperback. OSMOS Magazine is an art magazine about the use and abuse of photography, explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sectionssome traditional, such as Portfolio, Stories and Reportageand others more idiosyncratic, such as Eye of the Beholder, where gallerists discuss the talents they showcase; and Means to an End, on the side effects of non-artistic image production. This issue includes a feature by contributing editor Tom McDonough on photographer Eileen Quinlan, reportage by photographer Alex Welsh, an essay by Jeffrey Kirkwood describing his research on the innovative Swiss artist and filmmaker Klaus Lutz, and an examination of Paris-based Dove Allouche by curator Drew Sawyer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 24,89
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 96 pages. 10.90x8.40x0.40 inches. In Stock.
EUR 22,15
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
EUR 24,22
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
EUR 24,23
Quantità: 2 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
EUR 25,98
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 26,08
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. KlappentextOSMOS Magazine is an art magazine about the use and abuse of photography, explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic section.
EUR 49,98
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. OSMOS Magazine is an art magazine about the use and abuse of photography, explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sectionssome traditional, such as Portfolio, Stories and Reportageand others more idiosyncratic, such as Eye of the Beholder, where gallerists discuss the talents they showcase; and Means to an End, on the side effects of non-artistic image production. This issue includes a feature by contributing editor Tom McDonough on photographer Eileen Quinlan, reportage by photographer Alex Welsh, an essay by Jeffrey Kirkwood describing his research on the innovative Swiss artist and filmmaker Klaus Lutz, and an examination of Paris-based Dove Allouche by curator Drew Sawyer. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 32,52
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - OSMOS Magazine is 'an art magazine about the use and abuse of photography,' explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as 'Portfolio,' 'Stories' and 'Reportage'--and others more idiosyncratic, such as 'Eye of the Beholder,' where gallerists discuss the talents they showcase; and 'Means to an End,' on the side effects of non-artistic image production. This issue includes a feature by contributing editor Tom McDonough on photographer Eileen Quinlan, reportage by photographer Alex Welsh, an essay by Jeffrey Kirkwood describing his research on the innovative Swiss artist and filmmaker Klaus Lutz, and an examination of Paris-based Dove Allouche by curator Drew Sawyer.