9780986596100 - Mona Hatoum: 24 October 2009 to 28 January 2010 di Grenier, Catherine (5 risultati)

Hardcover. Condizione: As New. Condizione sovraccoperta: no dustjacket as issued. First Edition. Crisp, unread, unmarked copy, as new. Bound in olive green cloth with illustrated endpapers. 4to. 67pp.

Hardcover without dustjacket as issued; 68 pages; good condition, ex-gallery copy with sticker on lower left corner of cover taped around bottom of spine; sticker, stamp and pencil numbers on first couple pages; no other internal marks. Foreign shipping may be extra.

Hard Cover. Condizione: Fine. No Jacket. A clean, unmarked book with a tight binding. Full green cloth boards. 8 1/2"w x 10 7/8"h. 68 pages. Inaugural exhibition catalog for the Rennie Collection at Vancouver's historic Wing Sang building, featuring works from 1988 to 2006 by British Palestinian artist Mona Hatoum, whose installations, sculptures, video and photography merge Minimalism and Surrealism to address displacement, identity, political conflict and social injustice through subversion of familiar domestic objects and spaces. Keywords: Palestinian Artist, Inaugural Show, Turner Prize, Homebound Install, Political Art, Displacement Theme, Wing Sang Opening, Minimalism, Identity Issues, Beirut Born, Social Injustice.

Hardcover without dustjacket as issued; 68 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Oversize Hardcover. Condizione: Fine. No Jacket. First Edition. A clean, unmarked book with a tight binding. 64 pages. Full green cloth boards. "This original monograph devoted to the work of the Palestinian-born artist launches a new contemporary art publisher: Rennie Collection. Mona Hatoum works in a diverse and unconventional range of media, including installations, sculpture, video and photography and her work is most often discussed exclusively in sociopolitical terms. Grenier brings other influences to the surface, notably Surrealism - the first Western art Hatoum discovered as a young girl - and Minimalism - the dominant aesthetic she encountered in art school in London. In exploring these seemingly contradictory impulses, she uncovers artistic and personal concerns that go beyond a simple journalistic reading of Hatoum's artistic career." (from the publisher) 2.