ISBN: 9781009160872 - mary robinson and the gothic (20 risultati)

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Paperback or Softback. Condizione: New. Mary Robinson and the Gothic. Book.

Condizione: New.

Paperback. Condizione: New. Celebrated as an actress on the London stage (1776-80) and notorious as the mistress of the Prince of Wales (1779-80), Mary Darby Robinson had to write to support herself from the mid-1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 75 pages. 9.00x6.00x0.17 inches. In Stock.

Condizione: New. 2023. New. Paperback. . . . . .

Condizione: New. In English.

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Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.

Condizione: New. New edition NO-PA16APR2015-KAP.

Condizione: New. 2023. New. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware - Celebrated as an actress on the London stage (1776-80) and notorious as the mistress of the Prince of Wales (1779-80), Mary Darby Robinson had to write to support herself from the mid-1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge. …

Paperback. Condizione: New. Celebrated as an actress on the London stage (1776-80) and notorious as the mistress of the Prince of Wales (1779-80), Mary Darby Robinson had to write to support herself from the mid-1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge.…

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Paperback. Condizione: new. Paperback. Celebrated as an actress on the London stage (177680) and notorious as the mistress of the Prince of Wales (177980), Mary Darby Robinson had to write to support herself from the mid1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge. A focussed examination of Mary Robinson's deployment of the Gothic in a selection of her poetry and prose fiction. Features accounts of how Robinson's Gothic reworks other major Gothic writers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…