Lingua: Inglese
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ISBN 10: 1009517465 ISBN 13: 9781009517461
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ISBN 10: 1009517465 ISBN 13: 9781009517461
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Editore: Cambridge University Press, 2024
ISBN 10: 1009517465 ISBN 13: 9781009517461
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ISBN 10: 1009517465 ISBN 13: 9781009517461
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Lingua: Inglese
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ISBN 10: 1009517465 ISBN 13: 9781009517461
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ISBN 10: 1009517465 ISBN 13: 9781009517461
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Lingua: Inglese
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ISBN 10: 1009517465 ISBN 13: 9781009517461
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Aggiungi al carrelloHardcover. Condizione: Brand New. 92 pages. 6.00x0.25x9.00 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Cambridge University Press, 2024
ISBN 10: 1009517465 ISBN 13: 9781009517461
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Hardcover. Condizione: new. Hardcover. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijevic). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. The Element reviews the relevance of diagrams for performance-making, analysis and documentation, and also elucidates the significance of diagrammatic thinking for performance studies. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, 2024
ISBN 10: 1009517465 ISBN 13: 9781009517461
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Lingua: Inglese
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ISBN 10: 1009517465 ISBN 13: 9781009517461
Da: CitiRetail, Stevenage, Regno Unito
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijevic). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. The Element reviews the relevance of diagrams for performance-making, analysis and documentation, and also elucidates the significance of diagrammatic thinking for performance studies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2024
ISBN 10: 1009517465 ISBN 13: 9781009517461
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 115,79
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijevic). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. The Element reviews the relevance of diagrams for performance-making, analysis and documentation, and also elucidates the significance of diagrammatic thinking for performance studies. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.