ISBN: 9781009599986 - the book unbound: material cultures of reading and collecting, 1750–1850 (20 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms? Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 1750-1850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium. …

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms? Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 1750-1850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium. …

Condizione: New.

Condizione: New.

Hardcover. Condizione: Brand New. 330 pages. 6.00x0.75x9.00 inches. In Stock.

Hardback. Condizione: New. How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms? Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 1750-1850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium. …

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 1750-1850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium.…

Hardback. Condizione: New. How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms? Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 1750-1850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium. …

Hardcover. Condizione: new. Hardcover. How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms? Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 17501850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium. Exploring Romantic-period works as open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, this monograph changes understandings of the book as a medium through case studies on Walpole's private press publications, Blake's printmaker-poet's book making, and Dickens's serial fiction. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms? Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 17501850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium. Exploring Romantic-period works as open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, this monograph changes understandings of the book as a medium through case studies on Walpole's private press publications, Blake's printmaker-poet's book making, and Dickens's serial fiction. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Buch. Condizione: Neu. The Book Unbound | Luisa Calè | Buch | Englisch | 2026 | Cambridge University Press | EAN 9781009599986 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Hardcover. Condizione: new. Hardcover. How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms? Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 17501850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium. Exploring Romantic-period works as open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, this monograph changes understandings of the book as a medium through case studies on Walpole's private press publications, Blake's printmaker-poet's book making, and Dickens's serial fiction. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…