ISBN: 9781009684255 - movement, text, performance (23 risultati)

Condizione: New.

Paperback or Softback. Condizione: New. Movement, Text, Performance. Book.

Paperback. Condizione: New. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked. …

Paperback. Condizione: New. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked. …

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New. 2026. paperback. . . . . .

Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 80 pages. 6.00x0.17x9.00 inches. In Stock.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked.…

Paperback. Condizione: new. Paperback. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks. It helps forge an ensemble and build 'worlds' on stage and plays a crucial part in shaping how actors work with and in space. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condizione: New. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked. …

Paperback. Condizione: New. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked. …

Paperback. Condizione: new. Paperback. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks. It helps forge an ensemble and build 'worlds' on stage and plays a crucial part in shaping how actors work with and in space. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Brand New. 80 pages. 6.00x0.17x9.00 inches. In Stock. This item is printed on demand.

Paperback. Condizione: new. Paperback. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks: from dances to fights, from parades to murders, or other human behaviour. Movement directing is an increasingly common role as it helps forge an ensemble and build 'worlds' on stage, and plays a crucial part in shaping how actors work with and in space. The Element's autoethnographic approach draws on the author's movement direction for ten productions in the UK, most with director Katie Mitchell, based on his research into and experience with Gardzienice Theatre Association, Poland, from 1989. The Element offers a perspective that is missing in accounts of Mitchell's oeuvre and much British movement scholarship by examining the influence of the Grotowskian lineage on British theatre and by discussing voice work and text delivery, something often overlooked. This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks. It helps forge an ensemble and build 'worlds' on stage and plays a crucial part in shaping how actors work with and in space. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condizione: Neu. Movement, Text, Performance | Paul Allain | Taschenbuch | Englisch | 2026 | Cambridge University Press | EAN 9781009684255 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.