9781032112657 - silence, sounds, music: acoustic dimensions of immersion (13 risultati)
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Da: California Books, Miami, FL, U.S.A.California Books
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Silence, Sounds, Music: Acoustic Dimensions Of Immersion
Mücke, Laura Katharina (Editor)/ Niedermüller, Peter (Editor)/ Freitag, Florian (Editor)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 304 pages. 6.14x0.68x9.21 inches. In Stock.
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Florian Freitag has been a professor of American Studies at the University of Duisburg-Essen (Germany) since 2019. He received his PhD in American Studies from the University of Konstanz (Germany) in 2011 and worked as an assistant professor of Am.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - This book examines the intersections of silence with immersive arts and experiences. Silence and immersion may seem antithetical: while immersion is supposedly induced by acoustic and other stimuli, silence is commonly understood as the absence or opposite of sound. Since the eighteenth ce…ntury, however, silence has been established as a multifarious and polyvalent cultural concept. Immersion, in turn, though often used as a simple 'all-inclusive' term, has old and complex ontological and epistemological roots.Organized into three parts, this book brings critical, historical, and theoretical debates on silence into dialogue with different notions of immersion. The 16 theoretical articles and case studies engage in discovering and questioning the continued prominence of both concepts in aesthetics, culture, and media. Covering music, film, digital, visual and performance art, theater, video games, and theme parks, the chapters discuss both highly canonical and rarely examined artifacts. Written by scholars from Germany, Austria, France, and Switzerland, the interdisciplinary collection includes perspectives from musicology, film studies, cultural and media studies, gender studies, art history, and philosophy.Silence, Sounds, Music addresses both an academic and a wider audience. It will be of interest to anyone interested in music, sound, immersive experiences, the so-called experience economy, and contemporary art and culture.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2026. 1st Edition. paperback. . . . . .
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. This book examines the intersections of silence with immersive arts and experiences. Silence and immersion may seem antithetical: while immersion is supposedly induced by acoustic and other stimuli, silence is commonly understood as the absence or opposite of sound. Since the eighteenth cen…tury, however, silence has been established as a multifarious and polyvalent cultural concept. Immersion, in turn, though often used as a simple "all-inclusive" term, has old and complex ontological and epistemological roots.Organized into three parts, this book brings critical, historical, and theoretical debates on silence into dialogue with different notions of immersion. The 16 theoretical articles and case studies engage in discovering and questioning the continued prominence of both concepts in aesthetics, culture, and media. Covering music, film, digital, visual and performance art, theater, video games, and theme parks, the chapters discuss both highly canonical and rarely examined artifacts. Written by scholars from Germany, Austria, France, and Switzerland, the interdisciplinary collection includes perspectives from musicology, film studies, cultural and media studies, gender studies, art history, and philosophy.Silence, Sounds, Music addresses both an academic and a wider audience. It will be of interest to anyone interested in music, sound, immersive experiences, the so-called experience economy, and contemporary art and culture. This book examines the intersections of silence with immersive arts and experiences. Organised into three parts, this book brings critical, historical, and theoretical debates on silence into dialogue with different notions of immersion. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 83,36
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Paperback. Condizione: new. Paperback. This book examines the intersections of silence with immersive arts and experiences. Silence and immersion may seem antithetical: while immersion is supposedly induced by acoustic and other stimuli, silence is commonly understood as the absence or opposite of sound. Since the eighteenth cen…tury, however, silence has been established as a multifarious and polyvalent cultural concept. Immersion, in turn, though often used as a simple "all-inclusive" term, has old and complex ontological and epistemological roots.Organized into three parts, this book brings critical, historical, and theoretical debates on silence into dialogue with different notions of immersion. The 16 theoretical articles and case studies engage in discovering and questioning the continued prominence of both concepts in aesthetics, culture, and media. Covering music, film, digital, visual and performance art, theater, video games, and theme parks, the chapters discuss both highly canonical and rarely examined artifacts. Written by scholars from Germany, Austria, France, and Switzerland, the interdisciplinary collection includes perspectives from musicology, film studies, cultural and media studies, gender studies, art history, and philosophy.Silence, Sounds, Music addresses both an academic and a wider audience. It will be of interest to anyone interested in music, sound, immersive experiences, the so-called experience economy, and contemporary art and culture. This book examines the intersections of silence with immersive arts and experiences. Organised into three parts, this book brings critical, historical, and theoretical debates on silence into dialogue with different notions of immersion. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 78,83
EUR 43,24 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. This book examines the intersections of silence with immersive arts and experiences. Silence and immersion may seem antithetical: while immersion is supposedly induced by acoustic and other stimuli, silence is commonly understood as the absence or opposite of sound. Since the eighteenth cen…tury, however, silence has been established as a multifarious and polyvalent cultural concept. Immersion, in turn, though often used as a simple "all-inclusive" term, has old and complex ontological and epistemological roots.Organized into three parts, this book brings critical, historical, and theoretical debates on silence into dialogue with different notions of immersion. The 16 theoretical articles and case studies engage in discovering and questioning the continued prominence of both concepts in aesthetics, culture, and media. Covering music, film, digital, visual and performance art, theater, video games, and theme parks, the chapters discuss both highly canonical and rarely examined artifacts. Written by scholars from Germany, Austria, France, and Switzerland, the interdisciplinary collection includes perspectives from musicology, film studies, cultural and media studies, gender studies, art history, and philosophy.Silence, Sounds, Music addresses both an academic and a wider audience. It will be of interest to anyone interested in music, sound, immersive experiences, the so-called experience economy, and contemporary art and culture. This book examines the intersections of silence with immersive arts and experiences. Organised into three parts, this book brings critical, historical, and theoretical debates on silence into dialogue with different notions of immersion. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
