9781032387970 - japanese film and the challenge of video di mes, tom (23 risultati)
Lingua: Inglese
Editore: Routledge, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Editore: Routledge, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Lingua: Inglese
Editore: Routledge, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Editore: Taylor & Francis Ltd, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Lingua: Inglese
Editore: Routledge, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Paperback. Condizione: Brand New. 196 pages. 9.18x6.12x9.21 inches. In Stock.
Lingua: Inglese
Editore: Routledge, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Condizione: New.
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Lingua: Inglese
Editore: Routledge, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Taschenbuch. Condizione: Neu. Japanese Film and the Challenge of Video | Tom Mes | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | Routledge | EAN 9781032387970 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Paperback. Condizione: new. Paperback. This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how studios and directors worked quickly to capitalize on n…iche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by "Japanese cinema". This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Routledge, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines… how studios and directors worked quickly to capitalize on niche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by 'Japanese cinema'. 198 pp. Englisch.
Lingua: Inglese
Editore: Taylor & Francis Ltd, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
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Paperback. Condizione: new. Paperback. This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how studios and directors worked quickly to capitalize on n…iche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by "Japanese cinema". This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Lingua: Inglese
Editore: Routledge, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
- Brossura
- Print on Demand
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how…studios and directors worked quickly to capitalize on niche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by 'Japanese cinema'.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2024
Serie: Libro 75 di 77 - Media, Culture and Social Change in Asia
- Brossura
- Print on Demand
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Paperback. Condizione: new. Paperback. This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how studios and directors worked quickly to capitalize on n…iche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by "Japanese cinema". This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
