Isbn: 9781032412702 - creolization and transatlantic blackness: the visual and material cultures of slavery (15 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2026. 1st Edition. paperback. . . . . .

Paperback. Condizione: Brand New. 144 pages. 6.69x0.34x9.61 inches. In Stock.

Condizione: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. Charmaine A. Nelson is a Provost Professor of Art History in the Department of the History of Art and Architecture at the University of Massachusetts Amherst, USA. She is also the Director of the Slavery North Initiative which focuses on the study.

Taschenbuch. Condizione: Neu. Neuware - Departing from more conscribed definitions, this book argues for an expansion of the concept of 'Creolization' in terms of duration, temporality, population, and importantly, in regional scope, which also impact climate and the practices of slavery that are typically included and excluded from consideration.Eschewing the normative focus on language and music, the authors instead center art and visual, and material cultures, as both outcomes and practices, in their explorations to consider the ways that cultural production in the period of slavery and its aftermath was irrevocably impacted by the collision of races and cultures in the Americas. The chapters probe how creolization unfolded for di¿erently constituted individuals and populations, as well as how it came to be articulated both in the historical moments of its enactment and its retroactive cultural representations and production. In so doing, they seek to both expand the terrain (literally and ¿guratively) of the de¿nition of creolization and to turn towards an examination of its relevance for art and visual, and material cultures of the Transatlantic world.The chapters in this book were originally published in African and Black Diaspora: An International Journal.…

Paperback. Condizione: new. Paperback. Departing from more conscribed definitions, this book argues for an expansion of the concept of Creolization in terms of duration, temporality, population, and importantly, in regional scope, which also impact climate and the practices of slavery that are typically included and excluded from consideration.Eschewing the normative focus on language and music, the authors instead center art and visual, and material cultures, as both outcomes and practices, in their explorations to consider the ways that cultural production in the period of slavery and its aftermath was irrevocably impacted by the collision of races and cultures in the Americas. The chapters probe how creolization unfolded for dierently constituted individuals and populations, as well as how it came to be articulated both in the historical moments of its enactment and its retroactive cultural representations and production. In so doing, they seek to both expand the terrain (literally and guratively) of the denition of creolization and to turn towards an examination of its relevance for art and visual, and material cultures of the Transatlantic world.The chapters in this book were originally published in African and Black Diaspora: An International Journal. Departing from more conscribed definitions, this book argues for an expansion of the concept of Creolization in terms of duration, temporality, population, and importantly, in regional scope, which also impact climate and the practices of slavery that are typically included and excluded from consideration. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. Departing from more conscribed definitions, this book argues for an expansion of the concept of Creolization in terms of duration, temporality, population, and importantly, in regional scope, which also impact climate and the practices of slavery that are typically included and excluded from consideration.Eschewing the normative focus on language and music, the authors instead center art and visual, and material cultures, as both outcomes and practices, in their explorations to consider the ways that cultural production in the period of slavery and its aftermath was irrevocably impacted by the collision of races and cultures in the Americas. The chapters probe how creolization unfolded for dierently constituted individuals and populations, as well as how it came to be articulated both in the historical moments of its enactment and its retroactive cultural representations and production. In so doing, they seek to both expand the terrain (literally and guratively) of the denition of creolization and to turn towards an examination of its relevance for art and visual, and material cultures of the Transatlantic world.The chapters in this book were originally published in African and Black Diaspora: An International Journal. Departing from more conscribed definitions, this book argues for an expansion of the concept of Creolization in terms of duration, temporality, population, and importantly, in regional scope, which also impact climate and the practices of slavery that are typically included and excluded from consideration. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condizione: new. Paperback. Departing from more conscribed definitions, this book argues for an expansion of the concept of Creolization in terms of duration, temporality, population, and importantly, in regional scope, which also impact climate and the practices of slavery that are typically included and excluded from consideration.Eschewing the normative focus on language and music, the authors instead center art and visual, and material cultures, as both outcomes and practices, in their explorations to consider the ways that cultural production in the period of slavery and its aftermath was irrevocably impacted by the collision of races and cultures in the Americas. The chapters probe how creolization unfolded for dierently constituted individuals and populations, as well as how it came to be articulated both in the historical moments of its enactment and its retroactive cultural representations and production. In so doing, they seek to both expand the terrain (literally and guratively) of the denition of creolization and to turn towards an examination of its relevance for art and visual, and material cultures of the Transatlantic world.The chapters in this book were originally published in African and Black Diaspora: An International Journal. Departing from more conscribed definitions, this book argues for an expansion of the concept of Creolization in terms of duration, temporality, population, and importantly, in regional scope, which also impact climate and the practices of slavery that are typically included and excluded from consideration. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…