ISBN: 9781032623221 - playing with scripture: reading contested biblical texts with gadamer and genre theory (20 risultati)

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Hardcover. Condizione: new. Hardcover. This book puts a creative new reading of Hans-Georg Gadamers philosophical hermeneutics and literary genre theory to work on the problem of Scripture. Reading texts as Scripture brings two hermeneutical assumptions into tension: that the text will continually say something new and relevant to the present situation, and that the text has stability and authority over readers. Given how contested the Bibles meaning is, how is it possible to read Scripture as authoritative and relevant? Rather than anchor meaning in author, text or reader, Gadamers phenomenological model of hermeneutical experience as Spiel (play) offers a dynamic, intersubjective account of how understanding happens, avoiding the dead end of the subjectiveobjective dichotomy. Modern genre theory addresses some of the criticisms of Gadamer, accounting for the different roles played by readers in different genres using the new term Lesespiel (reading game). This is tested in three case studies of contested texts: the recontextualization of psalms in the book of Acts, the use of Hagars story (Genesis 16) in nineteenth-century debates over slavery and the troubling reception history of the rape and murder in Gibeah (Judges 19). In each study, the application of ancient text to contemporary situation is neither arbitrary, nor slavishly bound to tradition, but playful. This book puts a creative new reading of Hans-Georg Gadamers philosophical hermeneutics and literary genre theory to work on the problem of Scripture. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. This book puts a creative new reading of Hans-Georg Gadamers philosophical hermeneutics and literary genre theory to work on the problem of Scripture. Reading texts as Scripture brings two hermeneutical assumptions into tension: that the text will continually say something new and relevant to the present situation, and that the text has stability and authority over readers. Given how contested the Bibles meaning is, how is it possible to read Scripture as authoritative and relevant? Rather than anchor meaning in author, text or reader, Gadamers phenomenological model of hermeneutical experience as Spiel (play) offers a dynamic, intersubjective account of how understanding happens, avoiding the dead end of the subjectiveobjective dichotomy. Modern genre theory addresses some of the criticisms of Gadamer, accounting for the different roles played by readers in different genres using the new term Lesespiel (reading game). This is tested in three case studies of contested texts: the recontextualization of psalms in the book of Acts, the use of Hagars story (Genesis 16) in nineteenth-century debates over slavery and the troubling reception history of the rape and murder in Gibeah (Judges 19). In each study, the application of ancient text to contemporary situation is neither arbitrary, nor slavishly bound to tradition, but playful. This book puts a creative new reading of Hans-Georg Gadamers philosophical hermeneutics and literary genre theory to work on the problem of Scripture. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book puts a creative new reading of Hans-Georg Gadamer's philosophical hermeneutics and literary genre theory to work on the problem of Scripture. Reading texts as Scripture brings two hermeneutical assumptions into tension: that the text will continually say something new and relevant to the present situation, and that the text has stability and authority over readers. Given how contested the Bible's meaning is, how is it possible to 'read Scripture' as authoritative and relevant Rather than anchor meaning in author, text or reader, Gadamer's phenomenological model of hermeneutical experience as Spiel ('play') offers a dynamic, intersubjective account of how understanding happens, avoiding the dead end of the subjective-objective dichotomy. Modern genre theory addresses some of the criticisms of Gadamer, accounting for the different roles played by readers in different genres using the new term Lesespiel ('reading game'). This is tested in three case studies of contested texts: the recontextualization of psalms in the book of Acts, the use of Hagar's story (Genesis 16) in nineteenth-century debates over slavery and the troubling reception history of the rape and murder in Gibeah (Judges 19). In each study, the application of ancient text to contemporary situation is neither arbitrary, nor slavishly bound to tradition, but playful. 244 pp. Englisch.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book puts a creative new reading of Hans-Georg Gadamer's philosophical hermeneutics and literary genre theory to work on the problem of Scripture. Reading texts as Scripture brings two hermeneutical assumptions into tension: that the text will continually say something new and relevant to the present situation, and that the text has stability and authority over readers. Given how contested the Bible's meaning is, how is it possible to 'read Scripture' as authoritative and relevant Rather than anchor meaning in author, text or reader, Gadamer's phenomenological model of hermeneutical experience as Spiel ('play') offers a dynamic, intersubjective account of how understanding happens, avoiding the dead end of the subjective-objective dichotomy. Modern genre theory addresses some of the criticisms of Gadamer, accounting for the different roles played by readers in different genres using the new term Lesespiel ('reading game'). This is tested in three case studies of contested texts: the recontextualization of psalms in the book of Acts, the use of Hagar's story (Genesis 16) in nineteenth-century debates over slavery and the troubling reception history of the rape and murder in Gibeah (Judges 19). In each study, the application of ancient text to contemporary situation is neither arbitrary, nor slavishly bound to tradition, but playful.…

Hardcover. Condizione: new. Hardcover. This book puts a creative new reading of Hans-Georg Gadamers philosophical hermeneutics and literary genre theory to work on the problem of Scripture. Reading texts as Scripture brings two hermeneutical assumptions into tension: that the text will continually say something new and relevant to the present situation, and that the text has stability and authority over readers. Given how contested the Bibles meaning is, how is it possible to read Scripture as authoritative and relevant? Rather than anchor meaning in author, text or reader, Gadamers phenomenological model of hermeneutical experience as Spiel (play) offers a dynamic, intersubjective account of how understanding happens, avoiding the dead end of the subjectiveobjective dichotomy. Modern genre theory addresses some of the criticisms of Gadamer, accounting for the different roles played by readers in different genres using the new term Lesespiel (reading game). This is tested in three case studies of contested texts: the recontextualization of psalms in the book of Acts, the use of Hagars story (Genesis 16) in nineteenth-century debates over slavery and the troubling reception history of the rape and murder in Gibeah (Judges 19). In each study, the application of ancient text to contemporary situation is neither arbitrary, nor slavishly bound to tradition, but playful. This book puts a creative new reading of Hans-Georg Gadamers philosophical hermeneutics and literary genre theory to work on the problem of Scripture. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…