9781032637686 - The Live Museum: Performance and Art Institutions in 1970s America di Beisswanger, Lisa (25 risultati)

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion-an experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion-an experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers.

paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 334 pages. 9.18x6.12x9.21 inches. In Stock.

Condizione: NEW.

Paperback. Condizione: new. Paperback. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motionan experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Lisa Beisswanger is an art historian specializing in 20th- and 21st-century art and architecture. Her research interests include performance art discourses of the body, space, and movement choreographies of architecture museum and exhibition stu.

Paperback. Condizione: New. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion-an experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers.

Paperback. Condizione: New. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion-an experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers.

Paperback. Condizione: new. Paperback. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motionan experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 334 pages. 9.18x6.12x9.21 inches. In Stock. This item is printed on demand.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion.

Paperback. Condizione: new. Paperback. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motionan experiment that continues to shape the museum experience today.Drawing on meticulous archival research and in-depth case studies, this book examines landmark events across a range of institutions by figures such as Merce Cunningham, Laurie Anderson, Chris Burden, and even a cameo by Arnold Schwarzenegger, revealing a period of experimental energy as artists and museums negotiated, challenged, and inspired one another. Rejecting the notion that performance art is inherently anti-institutional, The Live Museum situates these developments within the broader cultural and political landscape, including the distribution of performance and public art funding. It shows how frictions between artists and museums spurred innovation: artists developed new formats and inventive modes of documentation, while institutions expanded programming, adapted to funding structures, and became more dynamic, responsive, and diverse.Iconoclastic yet rigorously historical, this book speaks to scholars and students of art history, performance studies, museum studies, and cultural history, as well as artists, curators, and cultural producers. The Live Museum uncovers the surprising history of live performances in US museums during the 1970s, exploring how and why both art and museums came alive in this era. It reframes this period as a pivotal moment when museums and artists co-created new possibilities for art in motion. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. The Live Museum | Performance and Art Institutions in 1970s America | Lisa Beisswanger | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Routledge | EAN 9781032637686 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.