9781032735702 - Beauty: The Body as Artefact: Historical Sources from Cicero to Goya (23 risultati)

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Condizione: New. 2026. 1st Edition. paperback. . . . . .

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Paperback. Condizione: Brand New. 496 pages. 9.18x6.12x9.21 inches. In Stock.

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Condizione: New. Romana Sammern is an art historian based at the Inter-University Organization Arts &amp Knowledges (University of Salzburg/Mozarteum University). She researches the intersections of body, image, and medicine in the early modern period. She holds .

Taschenbuch. Condizione: Neu. Neuware - Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.

Paperback. Condizione: New. Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.Examining the intersections of aesthetics, art theory, medical practices and cosmetics, it reveals how ideals of beauty and beautification shaped conceptions of gender, the body and artistic creation. The book focuses on the early modern period, when the cosmetic transformation of the body became closely associated with artistic imagery and techniques. Drawing on art-historical, philosophical and cultural perspectives, the volume presents key writings by figures from Cicero and Alberti to Behn and Hogarth, highlighting shifting notions of imitation, ornament and naturalness.Suitable for undergraduates, postgraduates, and scholars in art history, cultural history and gender studies, Beauty: The Body as Artefact offers a framework for understanding physical beauty as a historical and artistic category at the intersection of image, body and knowledge.

Taschenbuch. Condizione: Neu. Beauty: The Body as Artefact | Historical Sources from Cicero to Goya | Julia Saviello (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Taylor & Francis Ltd | EAN 9781032735702 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Condizione: new. Paperback. Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.Examining the intersections of aesthetics, art theory, medical practices and cosmetics, it reveals how ideals of beauty and beautification shaped conceptions of gender, the body and artistic creation. The book focuses on the early modern period, when the cosmetic transformation of the body became closely associated with artistic imagery and techniques. Drawing on art-historical, philosophical and cultural perspectives, the volume presents key writings by figures from Cicero and Alberti to Behn and Hogarth, highlighting shifting notions of imitation, ornament and naturalness.Suitable for undergraduates, postgraduates, and scholars in art history, cultural history and gender studies, Beauty: The Body as Artefact offers a framework for understanding physical beauty as a historical and artistic category at the intersection of image, body and knowledge.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution 4.0 International (CC BY) license This book traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 496 pages. 9.18x6.12 inches. In Stock. This item is printed on demand.

Paperback. Condizione: new. Paperback. Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.Examining the intersections of aesthetics, art theory, medical practices and cosmetics, it reveals how ideals of beauty and beautification shaped conceptions of gender, the body and artistic creation. The book focuses on the early modern period, when the cosmetic transformation of the body became closely associated with artistic imagery and techniques. Drawing on art-historical, philosophical and cultural perspectives, the volume presents key writings by figures from Cicero and Alberti to Behn and Hogarth, highlighting shifting notions of imitation, ornament and naturalness.Suitable for undergraduates, postgraduates, and scholars in art history, cultural history and gender studies, Beauty: The Body as Artefact offers a framework for understanding physical beauty as a historical and artistic category at the intersection of image, body and knowledge.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution 4.0 International (CC BY) license This book traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.Examining the intersections of aesthetics, art theory, medical practices and cosmetics, it reveals how ideals of beauty and beautification shaped conceptions of gender, the body and artistic creation. The book focuses on the early modern period, when the cosmetic transformation of the body became closely associated with artistic imagery and techniques. Drawing on art-historical, philosophical and cultural perspectives, the volume presents key writings by figures from Cicero and Alberti to Behn and Hogarth, highlighting shifting notions of imitation, ornament and naturalness.Suitable for undergraduates, postgraduates, and scholars in art history, cultural history and gender studies, Beauty: The Body as Artefact offers a framework for understanding physical beauty as a historical and artistic category at the intersection of image, body and knowledge. This book traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.