Isbn: 9781032909943 - cultural policies in the era of the korean wave: the south korean government's instrumentalisation of popular culture (18 risultati)

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Hardcover. Condizione: new. Hardcover. Cultural Policies in the Era of the Korean Wave explores how the state instrumentalises cultural industries, despite the bulk of their production and delivery mechanisms becoming subject to the market logic and foreign stakeholders, through an in-depth study of the South Korean governments cultural industry policies.Drawing on interviews with policymakers and producers in the Korean film, music, and television industries, it investigates how the governments policy schemesranging from funding programmes and public agencies established to promote cultural industries to the blacklisting of those opposing the administrations political agendasdemonstrate the governments strong desire to influence cultural production. The findings highlight how the state retains political power to instrumentalise cultural products, even as market forces shape production mechanisms and genre characteristics that have become increasingly transnational.This book sheds new light on how the state approves and reappropriates the doctrines of neoliberal globalisation to serve its interests in instrumentalising culture, making it relevant for scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies. This book explores how the state instrumentalises cultural industries through an in-depth study of the South Korean governments cultural industry policies. It will interest scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Cultural Policies in the Era of the Korean Wave explores how the state instrumentalises cultural industries, despite the bulk of their production and delivery mechanisms becoming subject to the market logic and foreign stakeholders, through an in-depth study of the South Korean governments cultural industry policies.Drawing on interviews with policymakers and producers in the Korean film, music, and television industries, it investigates how the governments policy schemesranging from funding programmes and public agencies established to promote cultural industries to the blacklisting of those opposing the administrations political agendasdemonstrate the governments strong desire to influence cultural production. The findings highlight how the state retains political power to instrumentalise cultural products, even as market forces shape production mechanisms and genre characteristics that have become increasingly transnational.This book sheds new light on how the state approves and reappropriates the doctrines of neoliberal globalisation to serve its interests in instrumentalising culture, making it relevant for scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies. This book explores how the state instrumentalises cultural industries through an in-depth study of the South Korean governments cultural industry policies. It will interest scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Taeyoung Kim is Lecturer in Communication and Media at Loughborough University, UK.Cultural Policies in the Era of the Korean Wave explores how the state instrumentalises cultural industries, despite the bulk of their production .…

Hardcover. Condizione: new. Hardcover. Cultural Policies in the Era of the Korean Wave explores how the state instrumentalises cultural industries, despite the bulk of their production and delivery mechanisms becoming subject to the market logic and foreign stakeholders, through an in-depth study of the South Korean governments cultural industry policies.Drawing on interviews with policymakers and producers in the Korean film, music, and television industries, it investigates how the governments policy schemesranging from funding programmes and public agencies established to promote cultural industries to the blacklisting of those opposing the administrations political agendasdemonstrate the governments strong desire to influence cultural production. The findings highlight how the state retains political power to instrumentalise cultural products, even as market forces shape production mechanisms and genre characteristics that have become increasingly transnational.This book sheds new light on how the state approves and reappropriates the doctrines of neoliberal globalisation to serve its interests in instrumentalising culture, making it relevant for scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies. This book explores how the state instrumentalises cultural industries through an in-depth study of the South Korean governments cultural industry policies. It will interest scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…