Isbn: 9781032978741 - to all appearances: ideology and performance (17 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback or Softback. Condizione: New. To All Appearances: Ideology and Performance. Book.

Condizione: New.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 240 pages. 6.14x0.51x9.21 inches. In Stock.

Condizione: New.

Condizione: New. Herbert Blau was the most influential theater theorist, practitioner, and educator of his generation. He was Distinguished Professor of English and Comparative Literature at the University of Wisconsin-Milwaukee. After many years in the theater, w.

Taschenbuch. Condizione: Neu. Neuware - First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. The author's concerns-which include the social meaning of illusion and the cultural manifestation of power-take the reader from Jacobean drama to the pageantry of Robert Wilson; from Eleanora Duse to Laurie Anderson; from the puppet theater of Kleist to Kantor's theater of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.A brilliant, uncontainable, and chastening look at the rhetoric of critical theory in relation to performance and ideological practice, this is undoubtedly a book for the twenty-first century. It returns us, through all appearances, to the unavoidable question in art, in politics, in the society of the spectacle: what, after all, is the future of illusion.…

Paperback. Condizione: new. Paperback. First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. The authors concernswhich include the social meaning of illusion and the cultural manifestation of powertake the reader from Jacobean drama to the pageantry of Robert Wilson; from Eleanora Duse to Laurie Anderson; from the puppet theater of Kleist to Kantors theater of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.A brilliant, uncontainable, and chastening look at the rhetoric of critical theory in relation to performance and ideological practice, this is undoubtedly a book for the twenty-first century. It returns us, through all appearances, to the unavoidable question in art, in politics, in the society of the spectacle: what, after all, is the future of illusion? First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. This is undoubtedly a book for the twenty-first century. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…