Isbn: 9781041069027 - translating silent cinema: film history, national culture, and the roaring twenties (19 risultati)

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Hardcover. Condizione: new. Hardcover. Translating Silent Cinema examines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig [The Merchant of Venice] (1923), Das alte Gesetz [The Ancient Law] (1923), and Ost und West [East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a performance history of different films? As no two film screenings are the same, the author highlights the importance of a multidisciplinary approach to translation that combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This books pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema). This book examines closely the translation, adaptation and reception of three silent films in English, German, and Yiddish to extend beyond textual translation to social, economic, cultural, and historical contexts. It will be of interest to Translation Studies, Film Studies, German Cinema and Jewish Cinema. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Translating Silent Cinema examines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig [The Merchant of Venice] (1923), Das alte Gesetz [The Ancient Law] (1923), and Ost und West [East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a performance history of different films? As no two film screenings are the same, the author highlights the importance of a multidisciplinary approach to translation that combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This books pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema). This book examines closely the translation, adaptation and reception of three silent films in English, German, and Yiddish to extend beyond textual translation to social, economic, cultural, and historical contexts. It will be of interest to Translation Studies, Film Studies, German Cinema and Jewish Cinema. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Translating Silent Cinemaexamines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig[The Merchant of Venice] (1923), Das alte Gesetz[The Ancient Law] (1923),and Ost und West[East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a 'performance history' of different films Asno two film screenings are the same, the author highlights the importance of amultidisciplinary approach to translationthat combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This book's pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema). 314 pp. Englisch.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Translating Silent Cinemaexamines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig[The Merchant of Venice] (1923), Das alte Gesetz[The Ancient Law] (1923),and Ost und West[East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a 'performance history' of different films Asno two film screenings are the same, the author highlights the importance of amultidisciplinary approach to translationthat combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This book's pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema).…

Hardcover. Condizione: new. Hardcover. Translating Silent Cinema examines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig [The Merchant of Venice] (1923), Das alte Gesetz [The Ancient Law] (1923), and Ost und West [East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a performance history of different films? As no two film screenings are the same, the author highlights the importance of a multidisciplinary approach to translation that combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This books pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema). This book examines closely the translation, adaptation and reception of three silent films in English, German, and Yiddish to extend beyond textual translation to social, economic, cultural, and historical contexts. It will be of interest to Translation Studies, Film Studies, German Cinema and Jewish Cinema. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…