Isbn: 9781107005266 - the italian renaissance and cultural memory (24 risultati)

Hardcover. Condizione: Very Good. The Italian Renaissance and Cultural Memory This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

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Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: As New. Never read, no marks or highlighting in the book. Our copy is hardback with a dust jacket, showing light shelf-wear.

Condizione: Very Good. Same day dispatch. Lovely copy. Both book and jacket are in very good condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Patricia Emison recalibrates our view of the Renaissance, synthesizing the evolution of the concept since the beginnings of art history. Num Pages: 264 pages, 72 b/w illus. BIC Classification: 1DST; ACND. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 259 x 178 x 17. Weight in Grams: 738. . 2012. hardcover. . . . . …

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer draws on a recalibrated view of the long Renaissance - from 1300 to 1600 - synthesizing the considerable evolution in our understanding of the epoch since the foundational nineteenth-century studies of Jacob Burckhardt and Heinrich Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes the self-consciously modern aspect of Renaissance style. She sets the art against the literary and political interests of time and analyzes works of both very familiar artists - Leonardo, Michelangelo, and Raphael - and lesser-known figures, such as Cima da Conegliano and Federico Barocci, as well as various printmakers. Succinct yet expansive, this treatment of the period also explores its layered significance for subsequent generations, from the Old Masters to the Post-Modernists.…

Condizione: New. pp. xiii + 238.

Condizione: New. Patricia Emison recalibrates our view of the Renaissance, synthesizing the evolution of the concept since the beginnings of art history. Num Pages: 264 pages, 72 b/w illus. BIC Classification: 1DST; ACND. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 259 x 178 x 17. Weight in Grams: 738. . 2012. hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Condizione: Brand New. 238 pages. 10.00x7.20x0.90 inches. In Stock.

Hardback. Condizione: New. Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer draws on a recalibrated view of the long Renaissance - from 1300 to 1600 - synthesizing the considerable evolution in our understanding of the epoch since the foundational nineteenth-century studies of Jacob Burckhardt and Heinrich Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes the self-consciously modern aspect of Renaissance style. She sets the art against the literary and political interests of time and analyzes works of both very familiar artists - Leonardo, Michelangelo, and Raphael - and lesser-known figures, such as Cima da Conegliano and Federico Barocci, as well as various printmakers. Succinct yet expansive, this treatment of the period also explores its layered significance for subsequent generations, from the Old Masters to the Post-Modernists.…

Condizione: gut. Italian Renaissance and Cultural Memory In englischer Sprache. pages.

Hardcover. Condizione: New. Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance - from 1300 to 1600 - synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and WÃ lfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style's self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists - Leonardo, Michelangelo, and Raphael - and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism.…

Hardcover. Condizione: new. Hardcover. Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer draws on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational nineteenth-century studies of Jacob Burckhardt and Heinrich Woelfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes the self-consciously modern aspect of Renaissance style. She sets the art against the literary and political interests of time and analyzes works of both very familiar artists Leonardo, Michelangelo, and Raphael and lesser-known figures, such as Cima da Conegliano and Federico Barocci, as well as various printmakers. Succinct yet expansive, this treatment of the period also explores its layered significance for subsequent generations, from the Old Masters to the Post-Modernists. Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational nineteenth-century studies of Burckhardt and Woelfflin. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. Print on Demand pp. xiii + 238 Illus.

Condizione: New. PRINT ON DEMAND pp. xiii + 238 Epilogue.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorrnrnProfessor at the University of New Hampshire, Patricia Emison is the author, most recently, of Moving Pictures and Renaissance Art History (Amsterdam University Press), 2021, as well as The Italian Renaissance and Cultu.…

Buch. Condizione: Neu. The Italian Renaissance and Cultural Memory | Patricia Emison | Buch | Gebunden | Englisch | 2012 | Cambridge University Press | EAN 9781107005266 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…