Lingua: Inglese
Editore: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Da: Labyrinth Books, Princeton, NJ, U.S.A.
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Lingua: Inglese
Editore: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Aggiungi al carrelloHardcover. Condizione: Very Good. In stock ready to dispatch from the UK.
Lingua: Inglese
Editore: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Lingua: Inglese
Editore: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Hardcover. Condizione: new. Hardcover. Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam's side at God's command. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloHardcover. Condizione: Brand New. 253 pages. 10.00x7.25x1.00 inches. In Stock.
Lingua: Inglese
Editore: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam's side at God's command. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Da: AussieBookSeller, Truganina, VIC, Australia
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam's side at God's command. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloGebunden. Condizione: New. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam s side at God s command.Über den AutorrnrnJack M. Greenstein is Professor and Chair of the Visual Arts.
Da: Revaluation Books, Exeter, Regno Unito
EUR 172,52
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Aggiungi al carrelloHardcover. Condizione: Brand New. 253 pages. 10.00x7.25x1.00 inches. In Stock.
Lingua: Inglese
Editore: Cambridge University Press Aug 2016, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 144,67
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Aggiungi al carrelloBuch. Condizione: Neu. Neuware - Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought.
Lingua: Inglese
Editore: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Da: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condizione: New.