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9781107172852 - Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art di Neilson, Christina (20 risultati)
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Practice and Theory in the Italian Renaissance Workshop : Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: California Books, Miami, FL, U.S.A.
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Practice and Theory in the Italian Renaissance Workshop : Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
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Practice and Theory in the Italian Renaissance Workshop : Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Practice and Theory in the Italian Renaissance Workshop : Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press CUP, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: Books Puddle, New York, NY, U.S.A.
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Condizione: New.
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: Kennys Bookstore, Olney, MD, U.S.A.
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Da: Revaluation Books, Exeter, Regno Unito
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EUR 204,31
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Aggiungi al carrelloHardcover. Condizione: Brand New. 362 pages. 10.25x7.25x1.00 inches. In Stock.
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Practice and Theory in the Italian Renaissance Workshop
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
EUR 210,50
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Spedito da Germania a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Verrocchio was arguably the most important sculptor between Donatello and Michelangelo but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another(sculpture, painting, and drawing), she offers an analysis of Verrocchio's unusual methods of manufacture.Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio's technical processes, she demonstrates how an artist's theoretical commitments can be uncovered, even in the absence of a written treatise.
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Practice and Theory in the Italian Renaissance Workshop (Hardcover)
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
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Hardcover. Condizione: new. Hardcover. Verrocchio was arguably the most important sculptor between Donatello and Michelangelo but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers an analysis of Verrocchio's unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio's technical processes, she demonstrates how an artist's theoretical commitments can be uncovered, even in the absence of a written treatise. This book is geared towards an intelligent readership interested in the history and art of Renaissance Italy. The analysis of art practices make it appealing to studio artists and students, while the cultural framework in which those practices are discussed will appeal to undergraduate and graduate students and scholars in art history. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Da: Revaluation Books, Exeter, Regno Unito
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EUR 153,48
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Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 362 pages. 10.25x7.25x1.00 inches. In Stock. This item is printed on demand.
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
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Aggiungi al carrelloHardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Practice and Theory in the Italian Renaissance Workshop (Hardcover)
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: CitiRetail, Stevenage, Regno Unito
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Verrocchio was arguably the most important sculptor between Donatello and Michelangelo but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers an analysis of Verrocchio's unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio's technical processes, she demonstrates how an artist's theoretical commitments can be uncovered, even in the absence of a written treatise. This book is geared towards an intelligent readership interested in the history and art of Renaissance Italy. The analysis of art practices make it appealing to studio artists and students, while the cultural framework in which those practices are discussed will appeal to undergraduate and graduate students and scholars in art history. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
EUR 151,78
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book is geared towards an intelligent readership interested in the history and art of Renaissance Italy. The analysis of art practices make it appealing to studio artists and students, while the cultural framework in which those practices are discussed.
-
Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: Majestic Books, Hounslow, Regno Unito
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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: Biblios, Frankfurt am main, HESSE, Germania
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Practice and Theory in the Italian Renaissance Workshop
Lingua: Inglese
Editore: Cambridge University Press, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
EUR 157,35
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Spedito da Germania a U.S.A.Quantità: 5 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. Practice and Theory in the Italian Renaissance Workshop | Christina Neilson | Buch | Gebunden | Englisch | 2019 | Cambridge University Press | EAN 9781107172852 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Practice and Theory in the Italian Renaissance Workshop (Hardcover)
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2019
ISBN 10: 1107172853 ISBN 13: 9781107172852
Da: AussieBookSeller, Truganina, VIC, Australia
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EUR 208,25
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Spedito da Australia a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Verrocchio was arguably the most important sculptor between Donatello and Michelangelo but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers an analysis of Verrocchio's unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio's technical processes, she demonstrates how an artist's theoretical commitments can be uncovered, even in the absence of a written treatise. This book is geared towards an intelligent readership interested in the history and art of Renaissance Italy. The analysis of art practices make it appealing to studio artists and students, while the cultural framework in which those practices are discussed will appeal to undergraduate and graduate students and scholars in art history. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
