Isbn: 9781107404793 - mask and performance in greek tragedy: from ancient festival to modern experimentation (17 risultati)

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Why did Greek actors in the age of Sophocles always wear masks? In this book, first published in 2007, David Wiles provided the first book-length study of this question. He surveys the evidence of vases and other monuments, arguing that they portray masks as part of a process of transformation, and that masks were never seen in the fifth century as autonomous objects. Wiles goes on to examine experiments with the mask in twentieth-century theatre, tracing a tension between the use of masks for possession and for alienation, and he identifies a preference among modern classical scholars for alienation. Wiles declines to distinguish the political aims of Greek tragedy from its religious aims, and concludes that an understanding of the mask allows us to see how Greek acting was simultaneously text-centred and body-centred. This book challenges orthodox views about how theatre relates to ritual, and provides insight into the creative work of the actor.…

Condizione: New. In English.

Paperback. Condizione: New.

Condizione: New.

Condizione: New. A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances. Num Pages: 334 pages, Illustrations. BIC Classification: 2AHA; AN; DSBB. Category: (P) Professional & Vocational. Dimension: 244 x 189 x 18. Weight in Grams: 600. . 2012. Reprint. paperback. . . . . …

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 334.

Condizione: New. A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances. Num Pages: 334 pages, Illustrations. BIC Classification: 2AHA; AN; DSBB. Category: (P) Professional & Vocational. Dimension: 244 x 189 x 18. Weight in Grams: 600. . 2012. Reprint. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condizione: New. Why did Greek actors in the age of Sophocles always wear masks? In this book, first published in 2007, David Wiles provided the first book-length study of this question. He surveys the evidence of vases and other monuments, arguing that they portray masks as part of a process of transformation, and that masks were never seen in the fifth century as autonomous objects. Wiles goes on to examine experiments with the mask in twentieth-century theatre, tracing a tension between the use of masks for possession and for alienation, and he identifies a preference among modern classical scholars for alienation. Wiles declines to distinguish the political aims of Greek tragedy from its religious aims, and concludes that an understanding of the mask allows us to see how Greek acting was simultaneously text-centred and body-centred. This book challenges orthodox views about how theatre relates to ritual, and provides insight into the creative work of the actor.…

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Print on Demand pp. 334 450:B&W 7.44 x 9.69 in or 246 x 189 mm (Crown 4vo) Perfect Bound on White w/Matte Lam.

Condizione: New. PRINT ON DEMAND pp. 334.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Why did Greek actors in the age of Sophocles always wear masks? In this 2007 volume, David Wiles provides the first book-length study of this question, surveying the evidence of vases and other monuments, and examining experiments with the mask in twentieth.…

Paperback. Condizione: new. Paperback. Why did Greek actors in the age of Sophocles always wear masks? In this book, first published in 2007, David Wiles provided the first book-length study of this question. He surveys the evidence of vases and other monuments, arguing that they portray masks as part of a process of transformation, and that masks were never seen in the fifth century as autonomous objects. Wiles goes on to examine experiments with the mask in twentieth-century theatre, tracing a tension between the use of masks for possession and for alienation, and he identifies a preference among modern classical scholars for alienation. Wiles declines to distinguish the political aims of Greek tragedy from its religious aims, and concludes that an understanding of the mask allows us to see how Greek acting was simultaneously text-centred and body-centred. This book challenges orthodox views about how theatre relates to ritual, and provides insight into the creative work of the actor. Why did Greek actors in the age of Sophocles always wear masks? In this 2007 volume, David Wiles provides the first book-length study of this question, surveying the evidence of vases and other monuments, and examining experiments with the mask in twentieth-century theatre. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…