Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
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Lingua: Inglese
Editore: Cambridge University Press 12/14/2017, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
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Paperback or Softback. Condizione: New. The First Frame. Book.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
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Aggiungi al carrelloSoft cover. Condizione: Very Good. Please note that, depending on destination, we may request a payment to cover any extra shipping/postage charges. Proceeds to Amnesty International. Abe2604. This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
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Lingua: Inglese
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ISBN 10: 1107437407 ISBN 13: 9781107437401
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Aggiungi al carrelloPaperback. Condizione: New. In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
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Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
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ISBN 10: 1107437407 ISBN 13: 9781107437401
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ISBN 10: 1107437407 ISBN 13: 9781107437401
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Lingua: Inglese
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ISBN 10: 1107437407 ISBN 13: 9781107437401
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Lingua: Inglese
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ISBN 10: 1107437407 ISBN 13: 9781107437401
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Condizione: New. pp. 302.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
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Aggiungi al carrelloPaperback. Condizione: Brand New. reprint edition. 288 pages. 8.75x6.00x0.75 inches. In Stock.
Lingua: Inglese
Editore: Cambridge University Press, GB, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
Da: Rarewaves.com UK, London, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 65,73
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Moliere, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day. Drawing on philosophy, dramatic theory, and architecture, this is the only book in English about the modernisation of French playhouses before the Revolution. Exploring theatre architecture reform in France as part of a broader cultural phenomenon, it will be of interest to students of theatre, architecture, and the Enlightenment. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: Brand New. reprint edition. 288 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 48,63
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Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
Da: Majestic Books, Hounslow, Regno Unito
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Aggiungi al carrelloCondizione: New. Print on Demand pp. 302.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
Da: Biblios, Frankfurt am main, HESSE, Germania
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Aggiungi al carrelloCondizione: New. PRINT ON DEMAND pp. 302.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Moliere, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day. Drawing on philosophy, dramatic theory, and architecture, this is the only book in English about the modernisation of French playhouses before the Revolution. Exploring theatre architecture reform in France as part of a broader cultural phenomenon, it will be of interest to students of theatre, architecture, and the Enlightenment. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107437407 ISBN 13: 9781107437401
Da: moluna, Greven, Germania
EUR 49,64
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Drawing on philosophy, dramatic theory, and architecture, this is the only book in English about the modernisation of French playhouses before the Revolution. Exploring theatre architecture reform in France as part of a broader cultural phenomenon, it will .