Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: California Books, Miami, FL, U.S.A.
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Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
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Lingua: Inglese
Editore: Cambridge University Press 2018-03-01, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Chiron Media, Wallingford, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New.
Lingua: Inglese
Editore: Cambridge University Press CUP, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 347.
Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Brand New. 1st edition. 347 pages. 8.90x6.02x0.87 inches. In Stock.
Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Kennys Bookstore, Olney, MD, U.S.A.
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Aggiungi al carrelloCondizione: New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 96,58
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Aggiungi al carrelloCondizione: New. 2018. Reprint. Paperback. . . . . .
Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 67,69
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Why is Shakespeare so often associated with information technologies and with the idea of archiving itself Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts. Galey explores how Shakespeare texts became material for new media experiments. Looking historically at the archive, the book, photography, sound and information, as well as theories of information and computing, this book is of interest to scholars of the digital humanities, Shakespeare studies, and media history. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Revaluation Books, Exeter, Regno Unito
EUR 44,87
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Aggiungi al carrelloPaperback. Condizione: Brand New. 1st edition. 347 pages. 8.90x6.02x0.87 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 48,74
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Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Majestic Books, Hounslow, Regno Unito
EUR 63,16
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Lingua: Inglese
Editore: Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 63,75
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Aggiungi al carrelloCondizione: New. PRINT ON DEMAND pp. 347.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: CitiRetail, Stevenage, Regno Unito
EUR 52,50
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts. Galey explores how Shakespeare texts became material for new media experiments. Looking historically at the archive, the book, photography, sound and information, as well as theories of information and computing, this book is of interest to scholars of the digital humanities, Shakespeare studies, and media history. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, 2017
ISBN 10: 1107612985 ISBN 13: 9781107612983
Da: moluna, Greven, Germania
EUR 49,64
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Galey explores how Shakespeare texts became material for new media experiments. Looking historically at the archive, the book, photography, sound and information, as well as theories of information and computing, this book is of interest to scholars of the .