9781108057301 - Catechism of Musical Aesthetics di Riemann, Hugo (18 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. One of the most important musicologists of his age, Hugo Riemann (1849-1919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hören wir Musik? and in 1895 in this English translation by Heinrich Bewerunge (1862-1923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening.

Condizione: New. In English.

Condizione: New. pp. 76.

Condizione: New. Published in 1895, three engaging lectures aiming to establish aesthetics as an aid to the performance and appreciation of music. Translator(s): Bewerunge, H. Series: Cambridge Library Collection - Music. Num Pages: 76 pages, black & white illustrations. BIC Classification: AVC. Category: (P) Professional & Vocational. Dimension: 140 x 216 x 5. Weight in Grams: 118. . 2013. paperback. . . . .

Condizione: New.

Condizione: New. Published in 1895, three engaging lectures aiming to establish aesthetics as an aid to the performance and appreciation of music. Translator(s): Bewerunge, H. Series: Cambridge Library Collection - Music. Num Pages: 76 pages, black & white illustrations. BIC Classification: AVC. Category: (P) Professional & Vocational. Dimension: 140 x 216 x 5. Weight in Grams: 118. . 2013. paperback. . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. One of the most important musicologists of his age, Hugo Riemann (1849-1919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hören wir Musik? and in 1895 in this English translation by Heinrich Bewerunge (1862-1923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - One of the most important musicologists of his age, Hugo Riemann (1849-1919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hören wir Musik and in 1895 in this English translation by Heinrich Bewerunge (1862-1923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening.

Paperback. Condizione: Brand New. 76 pages. 8.35x5.35x0.39 inches. In Stock. This item is printed on demand.

Condizione: New. Print on Demand pp. 76 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Paperback. Condizione: new. Paperback. One of the most important musicologists of his age, Hugo Riemann (18491919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hoeren wir Musik? and in 1895 in this English translation by Heinrich Bewerunge (18621923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening. One of the foremost musicologists of his age, Hugo Riemann (18491919) wrote prolifically on music theory and is best remembered for his celebrated Musik-Lexikon. These three lectures, setting out his thinking on how we listen to music, were first published in 1888, and in this English translation in 1895. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. PRINT ON DEMAND pp. 76.

Paperback. Condizione: new. Paperback. One of the most important musicologists of his age, Hugo Riemann (18491919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hoeren wir Musik? and in 1895 in this English translation by Heinrich Bewerunge (18621923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening. One of the foremost musicologists of his age, Hugo Riemann (18491919) wrote prolifically on music theory and is best remembered for his celebrated Musik-Lexikon. These three lectures, setting out his thinking on how we listen to music, were first published in 1888, and in this English translation in 1895. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. One of the most important musicologists of his age, Hugo Riemann (18491919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hoeren wir Musik? and in 1895 in this English translation by Heinrich Bewerunge (18621923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening. One of the foremost musicologists of his age, Hugo Riemann (18491919) wrote prolifically on music theory and is best remembered for his celebrated Musik-Lexikon. These three lectures, setting out his thinking on how we listen to music, were first published in 1888, and in this English translation in 1895. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. One of the foremost musicologists of his age, Hugo Riemann (1849-1919) wrote prolifically on music theory and is best remembered for his celebrated Musik-Lexikon. These three lectures, setting out his thinking on how we listen to music, were first published.