9781137571939 - Propaganda and Hogarth's 'line of Beauty' in the First World War di Williams, Georgina (13 risultati)

Hardback or Cased Book. Condizione: New. Propaganda and Hogarth's Line of Beauty in the First World War. Book.

Condizione: New.

Condizione: New. In.

Hardcover. Condizione: Used. Hardcover in as new condition. Pages are clean and bright. Spine is straight and tight. Overall a very nice as new condition!

Condizione: New. Num Pages: 185 pages, 5 black & white illustrations, 6 colour illustrations, biography. BIC Classification: HBJD1; HBL; HBW. Category: (P) Professional & Vocational. Dimension: 156 x 219 x 16. Weight in Grams: 364. . 2016. 1st ed. 2016. hardcover. . . . .

Hardcover. Condizione: Brand New. 176 pages. 8.50x6.00x0.50 inches. In Stock.

Condizione: New. Num Pages: 185 pages, 5 black & white illustrations, 6 colour illustrations, biography. BIC Classification: HBJD1; HBL; HBW. Category: (P) Professional & Vocational. Dimension: 156 x 219 x 16. Weight in Grams: 364. . 2016. 1st ed. 2016. hardcover. . . . . Books ship from the US and Ireland.

Gebunden. Condizione: New.

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Propaganda and Hogarth¿s ¿Line of Beauty¿ in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth¿s eighteenth-century theory of a ¿line of beauty¿, and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth¿s belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current ¿real¿ lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The ¿line of beauty¿therefore serves as a productive mechanism by which this era of propaganda art can be appraised.

Condizione: new. Questo è un articolo print on demand.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Propaganda and Hogarth's 'Line of Beauty' in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth's eighteenth-century theory of a 'line of beauty', and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth's belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current 'real' lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The 'line of beauty' therefore serves as a productive mechanism by which this era of propaganda art can be appraised. 188 pp. Englisch.

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Propaganda and Hogarth¿s ¿Line of Beauty¿ in the First World War assesses the literal and metaphoricconnotations of movement in William Hogarth¿s eighteenth-century theory of a ¿lineof beauty¿, and subsequently employs it as a mechanism by which the visualpropaganda of this era can be innovatively explored. Hogarth¿s belief thatthis line epitomises not only movement, but movement at its most beautifulcreates conditions of possibility whereby the construct can be elevated fromtraditional analyses and consequently utilised to examine movement in artworksfrom both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challengeto a current ¿real¿ lends itself tothese dual viewpoints; the early years of the twentieth century sawgrowth in the advertising of conflict via the pictorial poster, instigatingintentionally or otherwise an aesthetic response from soldier-artistsembroiled on the battlefields. The ¿line of beauty¿therefore serves as aproductive mechanism by which this era of propaganda art can be appraised.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 188 pp. Englisch.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Propaganda and Hogarth's 'Line of Beauty' in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth's eighteenth-century theory of a 'line of beauty', and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth's belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current 'real' lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The 'line of beauty'therefore serves as a productive mechanism by which this era of propaganda art can be appraised.