9781138205161 - the art of record production: creative practice in the studio: 2 (20 risultati)
Art of Record Production : Creative Practice in the Studio
Zagorski-Thomas, Simon (EDT); Isakoff, Katia (EDT); Stévance, Sophie (EDT); Lacasse, Serge (EDT)
Lingua: Inglese
Editore: Routledge, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
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Art of Record Production : Creative Practice in the Studio
Zagorski-Thomas, Simon (EDT); Isakoff, Katia (EDT); Stévance, Sophie (EDT); Lacasse, Serge (EDT)
Lingua: Inglese
Editore: Routledge, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
- Brossura
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Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
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Lingua: Inglese
Editore: Taylor & Francis Ltd, 2019
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Art of Record Production : Creative Practice in the Studio
Zagorski-Thomas, Simon (EDT); Isakoff, Katia (EDT); Stévance, Sophie (EDT); Lacasse, Serge (EDT)
Lingua: Inglese
Editore: Routledge, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
- Brossura
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Art of Record Production : Creative Practice in the Studio
Zagorski-Thomas, Simon (EDT); Isakoff, Katia (EDT); Stévance, Sophie (EDT); Lacasse, Serge (EDT)
Lingua: Inglese
Editore: Routledge, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Editore: Routledge, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
- Brossura
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Paperback. Condizione: Brand New. 2nd edition. 203 pages. 9.00x6.00x0.50 inches. In Stock.
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Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
- Brossura
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Paperback. Condizione: new. Paperback. The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but a…lso musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress. This book is designed as a general introductory reader, a textbook for undergraduate degree courses studying the creative processes involved in the production of recorded music. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Taylor and Francis, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
- Brossura
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Lingua: Inglese
Editore: Routledge, 2019
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Condizione: New. PRINT ON DEMAND pp. 224.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2019
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Paperback. Condizione: new. Paperback. The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but a…lso musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress. This book is designed as a general introductory reader, a textbook for undergraduate degree courses studying the creative processes involved in the production of recorded music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Taylor & Francis, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
- Brossura
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Kartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Simon Zagorski-Thomas is Professor at the London College of Music (University of West London) and is ex-chairman and co-founder of the Association for the Study of the Art of Record Productio…n. Katia Isakoff is a singer, songwrite.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
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Paperback. Condizione: new. Paperback. The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but a…lso musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress. This book is designed as a general introductory reader, a textbook for undergraduate degree courses studying the creative processes involved in the production of recorded music. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Altre immaginiLingua: Inglese
Editore: Routledge, 2019
Serie: Ashgate Popular and Folk Music, Libro 150 di 167. Libro 150 di 167 - Ashgate Popular and Folk Music
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Taschenbuch. Condizione: Neu. The Art of Record Production | Creative Practice in the Studio | Simon Zagorski-Thomas (u. a.) | Taschenbuch | Englisch | 2019 | Routledge | EAN 9781138205161 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Lingua: Inglese
Editore: Routledge, 2019
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recording…s affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
