Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 207,27
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 217,00
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Aggiungi al carrelloCondizione: New.
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 208.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 209,05
Quantità: 10 disponibili
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Da: Majestic Books, Hounslow, Regno Unito
EUR 220,45
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 208.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 215,64
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: New.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 236,60
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 266,97
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Series: Routledge Studies in Music Theory. Num Pages: 194 pages, 10 black & white tables, 36 black & white line drawings. BIC Classification: 3JJ; 3JM; AVA; AVGC6. Category: (G) General (US: Trade). Dimension: 242 x 437 x 16. Weight in Grams: 414. . 2015. Hardback. . . . .
Da: Revaluation Books, Exeter, Regno Unito
EUR 306,78
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 208 pages. 9.50x6.50x0.50 inches. In Stock.
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 335,54
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Series: Routledge Studies in Music Theory. Num Pages: 194 pages, 10 black & white tables, 36 black & white line drawings. BIC Classification: 3JJ; 3JM; AVA; AVGC6. Category: (G) General (US: Trade). Dimension: 242 x 437 x 16. Weight in Grams: 414. . 2015. Hardback. . . . . Books ship from the US and Ireland.
Da: moluna, Greven, Germania
EUR 179,01
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Judy Lochhead is a theorist and musicologist whose work focuses on the most recent musical practices in North America and Europe, with particular emphasis on music of the western classical tradition. Her work builds upon concepts and met.
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 225,90
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. PRINT ON DEMAND pp. 208.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 242,16
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Aggiungi al carrelloHRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 250,21
Quantità: Più di 20 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 246,88
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 294,21
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho's Lonh (1996), Sofia Gubaidulina's Second String Quartet (1987), Stacy Garrop's String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne's 'Choke' (2004). This book defies the prediction of classical music's death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.