9781316620229 - The Politics of Opera in Handel's Britain di McGeary, Thomas (24 risultati)

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Condizione: New.

Paperback or Softback. Condizione: New. The Politics of Opera in Handel's Britain. Book.

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Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.

Condizione: New. In.

Paperback. Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 422.

Paperback. Condizione: Brand New. 1st edition. 422 pages. 9.25x6.50x0.75 inches. In Stock.

Condizione: New. Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel. Num Pages: 422 pages, 4 b/w illus. 5 tables. BIC Classification: 1DBK; 3JF; AVGC4; AVGC9. Category: (P) Professional & Vocational. Dimension: 171 x 244 x 26. Weight in Grams: 714. . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New. Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel. Num Pages: 422 pages, 4 b/w illus. 5 tables. BIC Classification: 1DBK; 3JF; AVGC4; AVGC9. Category: (P) Professional & Vocational. Dimension: 171 x 244 x 26. Weight in Grams: 714. . 2016. 1st Edition. Paperback. . . . .

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.

Paperback. Condizione: New. The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.

Paperback. Condizione: new. Paperback. The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics. Thomas McGeary's book examines how events at the Haymarket opera theatre were exploited in partisan politics during the ministry of Robert Walpole and Handel's greatest period of opera production. It will appeal to all those interested in opera, British history and the history of music and theatre. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 1st edition. 422 pages. 9.25x6.50x0.75 inches. In Stock. This item is printed on demand.

Condizione: New. Print on Demand pp. 422.

Condizione: New. PRINT ON DEMAND pp. 422.

Paperback. Condizione: new. Paperback. The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics. Thomas McGeary's book examines how events at the Haymarket opera theatre were exploited in partisan politics during the ministry of Robert Walpole and Handel's greatest period of opera production. It will appeal to all those interested in opera, British history and the history of music and theatre. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Thomas McGeary s book examines how events at the Haymarket opera theatre were exploited in partisan politics during the ministry of Robert Walpole and Handel s greatest period of opera production. It will appeal to all those interested in opera, British his.

Paperback. Condizione: new. Paperback. The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics. Thomas McGeary's book examines how events at the Haymarket opera theatre were exploited in partisan politics during the ministry of Robert Walpole and Handel's greatest period of opera production. It will appeal to all those interested in opera, British history and the history of music and theatre. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. The Politics of Opera in Handel's Britain | Thomas Mcgeary | Taschenbuch | Buch | Englisch | 2016 | Cambridge University Press | EAN 9781316620229 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.