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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Networked Music Cultures | Contemporary Approaches, Emerging Issues | Raphaël Nowak (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Palgrave Macmillan | EAN 9781349844869 | Verantwortliche Person für die EU: Springer Palgrave Macmillan, Tiergartenstr. 17, 69121 Heidelberg, buchhandel-buch[at]springer[dot]com | Anbieter: preigu.
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Aggiungi al carrelloCondizione: New. Editor(s): Nowak, Raphael; Whelan, Andrew. Series: Pop Music, Culture and Identity. Num Pages: 251 pages, 3 colour illustrations, 3 colour tables, biography. BIC Classification: AV; JFC; JFD; KNTF. Category: (P) Professional & Vocational. Dimension: 210 x 148. . . 2016. 1st ed. 2016. paperback. . . . .
Lingua: Inglese
Editore: Springer Palgrave Macmillan|Macmillan Education|Palgrave Macmillan UK, 2016
ISBN 10: 1349844861 ISBN 13: 9781349844869
Da: moluna, Greven, Germania
EUR 172,76
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Aggiungi al carrelloKartoniert / Broschiert. Condizione: New. This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of t.
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Aggiungi al carrelloCondizione: New. Editor(s): Nowak, Raphael; Whelan, Andrew. Series: Pop Music, Culture and Identity. Num Pages: 251 pages, 3 colour illustrations, 3 colour tables, biography. BIC Classification: AV; JFC; JFD; KNTF. Category: (P) Professional & Vocational. Dimension: 210 x 148. . . 2016. 1st ed. 2016. paperback. . . . . Books ship from the US and Ireland.
Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology. 251 pp. Englisch.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 101,89
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology.