9781350354661 - Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-1936 di Murray, Ann (33 risultati)

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Paperback or Softback. Condizione: New. Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-1936. Book.

Condizione: New.

Paperback. Condizione: new. Paperback. The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (18911969) one of the leading artists connected to these artistic movements employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europes leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dixs war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dixs war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dixs war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany. Examines the war pictures, both paintings and graphic work, of Otto Dix produced during the years 1914-1936. Places the work within the broader visual culture of the war and how it was understood as war memory through its critical reception in key exhibitions of the period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: NEW.

Condizione: New. 2025. paperback. . . . . .

paperback. Condizione: New.

Paperback. Condizione: New. The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany.

paperback. Condizione: New.

Condizione: New.

Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. 240 pages. 9.22x6.14x1.00 inches. In Stock.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

paperback. Condizione: New.

Condizione: New. In.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware -The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany. 222 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany. 222 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany.

paperback. Condizione: New. Special order direct from the distributor.

Paperback. Condizione: Brand New. 240 pages. 9.22x6.14x1.00 inches. In Stock.

Condizione: NEW.

Paperback. Condizione: new. Paperback. The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (18911969) one of the leading artists connected to these artistic movements employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europes leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dixs war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dixs war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dixs war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: New. The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany.

Taschenbuch. Condizione: Neu. Neuware -The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 222 pp. Englisch.

Paperback. Condizione: new. Paperback. The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (18911969) one of the leading artists connected to these artistic movements employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europes leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dixs war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dixs war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dixs war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany. Examines the war pictures, both paintings and graphic work, of Otto Dix produced during the years 1914-1936. Places the work within the broader visual culture of the war and how it was understood as war memory through its critical reception in key exhibitions of the period. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. Neuware - The harsh realities of wartime and Weimar-era Germany called for a new kind of art. Dada, followed by Neue Sachlichkeit (New Objectivity), confronted social and political issues in new and bold ways. This book highlights how Otto Dix (1891-1969) - one of the leading artists connected to these artistic movements - employed these new approaches to reveal the injustices of wartime and post-World War I Germany. Having spent 38 months on the frontline, his pictures revealed the brutalities of the conflict and helped establish him as one of Europe's leading modernists.Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration.Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. It pulls together a number of key approaches and texts: contemporary reviews, contemporary cultural productions (such as novels and cartoons), and theoretical and historical approaches from history, memory studies and art history.Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany.