9781350428973 - destruction rites: ephemerality and demolition in postwar visual culture di hadler, mona (19 risultati)
Lingua: Inglese
Editore: Bloomsbury Visual Arts, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Lingua: Inglese
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Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Paperback. Condizione: New. In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destruction, in…both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis in a time with some seriously conflicted political myths. Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities.Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two.
Lingua: Inglese
Editore: Bloomsbury Visual Arts, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Condizione: New. pp. 272.
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Editore: Bloomsbury Visual Arts, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Editore: Bloomsbury Visual Arts, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Paperback. Condizione: Brand New. 272 pages. 8.50x5.51x1.00 inches. In Stock.
Lingua: Inglese
Editore: Bloomsbury Visual Arts, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
- Brossura
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Book. Condizione: New.
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Lingua: Inglese
Editore: BLOOMSBURY VISUAL ARTS Nov 2023, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Taschenbuch. Condizione: Neu. Neuware - In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Dest…ruction, in both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis in a time with some seriously conflicted political myths. Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities.Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Lingua: Inglese
Editore: Bloomsbury Publishing PLC, London, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Paperback. Condizione: new. Paperback. In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destr…uction, in both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis in a time with some seriously conflicted political myths. Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities.Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Bloomsbury Visual Arts, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
- Brossura
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Condizione: New. Print on Demand pp. 272.
Lingua: Inglese
Editore: Bloomsbury Visual Arts, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
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Condizione: New. PRINT ON DEMAND pp. 272.
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Lingua: Inglese
Editore: Bloomsbury Publishing PLC, London, 2023
Serie: International Library of Modern and Contemporary Art, Libro 16 di 21. Libro 16 di 21 - International Library of Modern and Contemporary Art
- Brossura
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Paperback. Condizione: new. Paperback. In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machines staged by contemporary artists. Destr…uction, in both its playful and fearsome aspects, was ubiquitous in the new Atomic Age. This complicated subjectivity was not just a way for people to find catharsis amid the fears of annihilation and postwar trauma, but also a complex instantiation of ideological crisis in a time with some seriously conflicted political myths. Destruction Rites explores the ephemeral visual culture of destruction in the postwar era and its links to contemporary art. It examines the demolition derby; games and toys based on warfare; playgrounds situated in bomb sites; and the rise of garage sales, where goods designed for obsolescence and destined for the garbage heap are reclaimed and repurposed by local communities.Mona Hadler looks at artists such as Jean Tinguely, Niki de Saint Phalle, Martha Rosler and Vito Acconci to expose how the 1960s saw destruction, construction and the everyday collide as never before. During the Atomic age, whether in the public sphere or art museums, destruction could be transformed into a constructive force and art objects and performances often oscillated between the two. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.



