9781350433953 - invisible ink: feminism and identity in contemporary chinese art di guest, luise (17 risultati)
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Hardcover. Condizione: new. Hardcover. What does it mean to be a woman artist or a feminist artist in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemp…orary Chinese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day. Reassesses the contribution of women artists to the field of contemporary Chinese art with an in-depth account of five artists who reference the traditional form of ink and brush painting to subvert existing art historical narratives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. What does it mean to be a woman artist - or a feminist artist - in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemporary Ch…inese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Hardcover. Condizione: Brand New. 240 pages. 9.22x6.14x1.00 inches. In Stock.
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Hardcover. Condizione: new. Hardcover. What does it mean to be a woman artist or a feminist artist in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemp…orary Chinese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day. Reassesses the contribution of women artists to the field of contemporary Chinese art with an in-depth account of five artists who reference the traditional form of ink and brush painting to subvert existing art historical narratives. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Hardcover. Condizione: new. Hardcover. What does it mean to be a woman artist or a feminist artist in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemp…orary Chinese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day. Reassesses the contribution of women artists to the field of contemporary Chinese art with an in-depth account of five artists who reference the traditional form of ink and brush painting to subvert existing art historical narratives. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Hardback. Condizione: New. What does it mean to be a woman artist - or a feminist artist - in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemporary Ch…inese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2026. hardcover. . . . . .
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Buch. Condizione: Neu. Neuware - What does it mean to be a woman artist - or a feminist artist - in China today Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contempora…ry Chinese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day.
