9781350444362 - women creating classics: a retrospective: 1 (24 risultati)

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paperback. Condizione: Fine.

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Paperback. Condizione: new. Paperback. From Madeline Millers The Song of Achilles (2011) to Pat Barkers The Voyage Home (2024), there has been a huge rise in womens rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public intere…st in womens reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritagein a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the great men of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renee Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. From Madeline Miller's The Song of Achilles (2011) to Pat Barker's The Voyage Home (2024), there has been a huge rise in women's rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public interest in wo…men's reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritage-in a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the 'great men' of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renée Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics.

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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condizione: New. From Madeline Miller's The Song of Achilles (2011) to Pat Barker's The Voyage Home (2024), there has been a huge rise in women's rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public interest in wo…men's reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritage-in a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the 'great men' of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renée Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics.

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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 336 pages. 9.21x6.14x1.00 inches. In Stock.

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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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paperback. Condizione: New.

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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condizione: new. Paperback. From Madeline Millers The Song of Achilles (2011) to Pat Barkers The Voyage Home (2024), there has been a huge rise in womens rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public intere…st in womens reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritagein a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the great men of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renee Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
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Paperback. Condizione: new. Paperback. From Madeline Millers The Song of Achilles (2011) to Pat Barkers The Voyage Home (2024), there has been a huge rise in womens rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public intere…st in womens reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritagein a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the great men of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renee Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Da: Speedyhen, Hertfordshire, Regno UnitoSpeedyhen
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. From Madeline Miller's The Song of Achilles (2011) to Pat Barker's The Voyage Home (2024), there has been a huge rise in women's rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public interest in wo…men's reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritage-in a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the 'great men' of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renée Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics.

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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - From Madeline Miller's The Song of Achilles (2011) to Pat Barker's The Voyage Home (2024), there has been a huge rise in women's rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public in…terest in women's reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritage-in a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the 'great men' of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renée Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics.

- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 30,67
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Paperback. Condizione: New. From Madeline Miller's The Song of Achilles (2011) to Pat Barker's The Voyage Home (2024), there has been a huge rise in women's rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public interest in wo…men's reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritage-in a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the 'great men' of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renée Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics.