Condizione: New.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 34,46
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Aggiungi al carrelloPaperback. Condizione: New. In the last few years, there has been a major and unmissable surge in women's retellings and re-creations of ancient myths and texts that has put women's re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular now-and considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogy-thus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of women's re-creations of Classics to the contemporary shaping of the field.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In the last few years, there has been a major and unmissable surge in womens retellings and re-creations of ancient myths and texts that has put womens re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular nowand considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogythus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of womens re-creations of Classics to the contemporary shaping of the field. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. In the last few years, there has been a major and unmissable surge in women's retellings and re-creations of ancient myths and texts that has put women's re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular now-and considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogy-thus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of women's re-creations of Classics to the contemporary shaping of the field.
Lingua: Inglese
Editore: Bloomsbury Academic 7/10/2025, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Women Re-Creating Classics: Contemporary Voices. Book.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 336 pages. 9.21x6.14x1.00 inches. In Stock.
Lingua: Inglese
Editore: Bloomsbury Academic (UK) -, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: Chiron Media, Wallingford, Regno Unito
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Aggiungi al carrelloCondizione: New. 2025. paperback. . . . . .
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 35,32
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In the last few years, there has been a major and unmissable surge in womens retellings and re-creations of ancient myths and texts that has put womens re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular nowand considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogythus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of womens re-creations of Classics to the contemporary shaping of the field. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 336 pages. 9.21x6.14x1.00 inches. In Stock.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: CitiRetail, Stevenage, Regno Unito
EUR 32,86
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. In the last few years, there has been a major and unmissable surge in womens retellings and re-creations of ancient myths and texts that has put womens re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular nowand considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogythus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of womens re-creations of Classics to the contemporary shaping of the field. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
EUR 28,19
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Aggiungi al carrelloCondizione: NEW.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. In the last few years, there has been a major and unmissable surge in women's retellings and re-creations of ancient myths and texts that has put women's re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular now-and considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogy-thus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of women's re-creations of Classics to the contemporary shaping of the field.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC Jul 2025, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 34,47
Quantità: 1 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - 'Drawing together an interdisciplinary range of scholarly and creative voices, this volume looks at contemporary discussions surrounding women's engagement with the classical past. There is a discussion as to why classical creative retellings are so popular now, as well as considerations of what creativity can do to foster new ways of thinking and writing about classics, thus blurring the boundary between the creative and the critical. In particular, the contributors engage with debates on how to make classics more accessible through the medium of creative works, so that it is not just a discipline for the selective few'--.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2025
ISBN 10: 1350445088 ISBN 13: 9781350445086
Da: Rarewaves.com UK, London, Regno Unito
EUR 31,24
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In the last few years, there has been a major and unmissable surge in women's retellings and re-creations of ancient myths and texts that has put women's re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular now-and considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogy-thus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of women's re-creations of Classics to the contemporary shaping of the field.