9781350524545 - the pulse approach: physical improvisation for theatre-makers and directors di gerstle, tanya (23 risultati)
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Paperback. Condizione: New. How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays?And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these questions…and more, captured here for the first time in a workbook to the practice. Pulse is an improvisational performance strategy that can be used by actors and directors to develop original text-based performance material and rehearse dramatic scripts. Director Tanya Gerstle has been developing the approach since 1989 and has used it to stage more than 25 theatre productions. Through step-by-step instructions for the student and practitioner; troubleshooting advice; case studies of productions directed using the Pulse Approach; and interviews with practitioners involved, this book is the first practical guide to this innovative methodology, which has its roots in the Australian actor-training scene.The Pulse Approach fuses improvisation and text-based theatre, too often disconnected, to offer up a methodology and rigorous practice for improvisation as a holistic process of development in classical and contemporary plays. It can be used to train any ensemble of actors in any context - inexperienced, professional, young, old and culturally and linguistically diverse.A companion website will include a video documentary of practitioners using Pulse in their work with the author.
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Paperback. Condizione: new. Paperback. How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays?And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these… questions and more, captured here for the first time in a workbook to the practice. Pulse is an improvisational performance strategy that can be used by actors and directors to develop original text-based performance material and rehearse dramatic scripts. Director Tanya Gerstle has been developing the approach since 1989 and has used it to stage more than 25 theatre productions. Through step-by-step instructions for the student and practitioner; troubleshooting advice; case studies of productions directed using the Pulse Approach; and interviews with practitioners involved, this book is the first practical guide to this innovative methodology, which has its roots in the Australian actor-training scene.The Pulse Approach fuses improvisation and text-based theatre, too often disconnected, to offer up a methodology and rigorous practice for improvisation as a holistic process of development in classical and contemporary plays. It can be used to train any ensemble of actors in any context - inexperienced, professional, young, old and culturally and linguistically diverse.A companion website will include a video documentary of practitioners using Pulse in their work with the author. The first step-by-step guide to the innovative Pulse Approach, which gives theatre makers tools for improvisation with text-based work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: New. How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays?And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these questions…and more, captured here for the first time in a workbook to the practice. Pulse is an improvisational performance strategy that can be used by actors and directors to develop original text-based performance material and rehearse dramatic scripts. Director Tanya Gerstle has been developing the approach since 1989 and has used it to stage more than 25 theatre productions. Through step-by-step instructions for the student and practitioner; troubleshooting advice; case studies of productions directed using the Pulse Approach; and interviews with practitioners involved, this book is the first practical guide to this innovative methodology, which has its roots in the Australian actor-training scene.The Pulse Approach fuses improvisation and text-based theatre, too often disconnected, to offer up a methodology and rigorous practice for improvisation as a holistic process of development in classical and contemporary plays. It can be used to train any ensemble of actors in any context - inexperienced, professional, young, old and culturally and linguistically diverse.A companion website will include a video documentary of practitioners using Pulse in their work with the author.
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Paperback. Condizione: new. Paperback. How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays?And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these… questions and more, captured here for the first time in a workbook to the practice. Pulse is an improvisational performance strategy that can be used by actors and directors to develop original text-based performance material and rehearse dramatic scripts. Director Tanya Gerstle has been developing the approach since 1989 and has used it to stage more than 25 theatre productions. Through step-by-step instructions for the student and practitioner; troubleshooting advice; case studies of productions directed using the Pulse Approach; and interviews with practitioners involved, this book is the first practical guide to this innovative methodology, which has its roots in the Australian actor-training scene.The Pulse Approach fuses improvisation and text-based theatre, too often disconnected, to offer up a methodology and rigorous practice for improvisation as a holistic process of development in classical and contemporary plays. It can be used to train any ensemble of actors in any context - inexperienced, professional, young, old and culturally and linguistically diverse.A companion website will include a video documentary of practitioners using Pulse in their work with the author. The first step-by-step guide to the innovative Pulse Approach, which gives theatre makers tools for improvisation with text-based work. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Paperback. Condizione: new. Paperback. How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays?And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these… questions and more, captured here for the first time in a workbook to the practice. Pulse is an improvisational performance strategy that can be used by actors and directors to develop original text-based performance material and rehearse dramatic scripts. Director Tanya Gerstle has been developing the approach since 1989 and has used it to stage more than 25 theatre productions. Through step-by-step instructions for the student and practitioner; troubleshooting advice; case studies of productions directed using the Pulse Approach; and interviews with practitioners involved, this book is the first practical guide to this innovative methodology, which has its roots in the Australian actor-training scene.The Pulse Approach fuses improvisation and text-based theatre, too often disconnected, to offer up a methodology and rigorous practice for improvisation as a holistic process of development in classical and contemporary plays. It can be used to train any ensemble of actors in any context - inexperienced, professional, young, old and culturally and linguistically diverse.A companion website will include a video documentary of practitioners using Pulse in their work with the author. The first step-by-step guide to the innovative Pulse Approach, which gives theatre makers tools for improvisation with text-based work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Condizione: New. How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays?And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these questions…and more, captured here for the first time in a workbook to the practice. Pulse is an improvisational performance strategy that can be used by actors and directors to develop original text-based performance material and rehearse dramatic scripts. Director Tanya Gerstle has been developing the approach since 1989 and has used it to stage more than 25 theatre productions. Through step-by-step instructions for the student and practitioner; troubleshooting advice; case studies of productions directed using the Pulse Approach; and interviews with practitioners involved, this book is the first practical guide to this innovative methodology, which has its roots in the Australian actor-training scene.The Pulse Approach fuses improvisation and text-based theatre, too often disconnected, to offer up a methodology and rigorous practice for improvisation as a holistic process of development in classical and contemporary plays. It can be used to train any ensemble of actors in any context - inexperienced, professional, young, old and culturally and linguistically diverse.A companion website will include a video documentary of practitioners using Pulse in their work with the author.
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Taschenbuch. Condizione: Neu. Neuware - How can we effectively apply improvisation to train an ensemble of actors Where is the method to create physically dynamic staging for text-based contemporary and classical plays And how can a trainer and a director utilise improvisation to devise new work The Pulse Approach answers these…questions and more, captured here for the first time in a workbook to the practice. Pulse is an improvisational performance strategy that can be used by actors and directors to develop original text-based performance material and rehearse dramatic scripts. Director Tanya Gerstle has been developing the approach since 1989 and has used it to stage more than 25 theatre productions. Through step-by-step instructions for the student and practitioner; troubleshooting advice; case studies of productions directed using the Pulse Approach; and interviews with practitioners involved, this book is the first practical guide to this innovative methodology, which has its roots in the Australian actor-training scene.The Pulse Approach fuses improvisation and text-based theatre, too often disconnected, to offer up a methodology and rigorous practice for improvisation as a holistic process of development in classical and contemporary plays. It can be used to train any ensemble of actors in any context - inexperienced, professional, young, old and culturally and linguistically diverse.A companion website will include a video documentary of practitioners using Pulse in their work with the author.
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Paperback. Condizione: New. How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays?And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these questions…and more, captured here for the first time in a workbook to the practice. Pulse is an improvisational performance strategy that can be used by actors and directors to develop original text-based performance material and rehearse dramatic scripts. Director Tanya Gerstle has been developing the approach since 1989 and has used it to stage more than 25 theatre productions. Through step-by-step instructions for the student and practitioner; troubleshooting advice; case studies of productions directed using the Pulse Approach; and interviews with practitioners involved, this book is the first practical guide to this innovative methodology, which has its roots in the Australian actor-training scene.The Pulse Approach fuses improvisation and text-based theatre, too often disconnected, to offer up a methodology and rigorous practice for improvisation as a holistic process of development in classical and contemporary plays. It can be used to train any ensemble of actors in any context - inexperienced, professional, young, old and culturally and linguistically diverse.A companion website will include a video documentary of practitioners using Pulse in their work with the author.
