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Da: Chiron Media, Wallingford, Regno Unito
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Aggiungi al carrelloHardcover. Condizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Da: GreatBookPrices, Columbia, MD, U.S.A.
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 214,66
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Ashgate Publishing Company, 2013
ISBN 10: 1409405699 ISBN 13: 9781409405696
Da: Majestic Books, Hounslow, Regno Unito
EUR 227,95
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Aggiungi al carrelloCondizione: New. pp. 280 17 Illus.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 228,44
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Aggiungi al carrelloCondizione: New. In.
Lingua: Inglese
Editore: Ashgate Publishing Company, 2013
ISBN 10: 1409405699 ISBN 13: 9781409405696
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 280 Index.
Lingua: Inglese
Editore: Ashgate Publishing Company, 2013
ISBN 10: 1409405699 ISBN 13: 9781409405696
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 236,15
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Aggiungi al carrelloCondizione: New. pp. 280.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 252,69
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Aggiungi al carrelloCondizione: New. Addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. This title emphasises on the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Num Pages: 280 pages, Includes 17 b&w illustrations, 2 tables and 35 musical examples. BIC Classification: AVGC3. Category: (G) General (US: Trade). Dimension: 235 x 163 x 23. Weight in Grams: 674. . 2013. 1st Edition. hardcover. . . . .
Da: Revaluation Books, Exeter, Regno Unito
EUR 313,79
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Aggiungi al carrelloHardcover. Condizione: Brand New. 258 pages. 9.49x6.42x0.94 inches. In Stock.
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 322,36
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Aggiungi al carrelloCondizione: New. Addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. This title emphasises on the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Num Pages: 280 pages, Includes 17 b&w illustrations, 2 tables and 35 musical examples. BIC Classification: AVGC3. Category: (G) General (US: Trade). Dimension: 235 x 163 x 23. Weight in Grams: 674. . 2013. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Editore: Ashgate, Farnham, Surrey, 2012
ISBN 10: 1409405699 ISBN 13: 9781409405696
Da: Attic Books (ABAC, ILAB), London, ON, Canada
EUR 90,09
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Aggiungi al carrelloHardcover. Condizione: Fine. Condizione sovraccoperta: Fine. xxi, 256 p. 24 cm. Black cloth in dustjacket.
Da: moluna, Greven, Germania
EUR 168,11
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Aggiungi al carrelloGebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mary Cyr is Professor Emerita of Music at the University of Guelph, Canada.Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Speci.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 235,94
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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EUR 232,57
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Aggiungi al carrelloHRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: preigu, Osnabrück, Germania
EUR 248,10
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Aggiungi al carrelloBuch. Condizione: Neu. Style and Performance for Bowed String Instruments in French Baroque Music | Mary Cyr | Buch | Englisch | 2012 | Routledge | EAN 9781409405696 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 296,54
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Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and 'special effects' such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of ÿlisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.