Isbn: 9781442232617 - the alexander scriabin companion: history, performance, and lore (17 risultati)

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  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

    1442232617 / 9781442232617

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    hardcover. Condizione: Very Good. Binding is tight and square. Book was donated to Friends of Omaha Public Library.

  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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  • Lingua: Inglese

    Editore: Rowman & Littlefield Pub Inc, 2017

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    Hardcover. Condizione: Brand New. 422 pages. 10.00x7.00x1.50 inches. In Stock.

  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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    Condizione: New. . . 2015. Hardcover. . . . . Books ship from the US and Ireland.

  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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    Condizione: New. . . 2015. Hardcover. . . . .

  • Lingua: Inglese

    Editore: Rowman and Littlefield Publishers, 2017

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    HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

  • Lingua: Inglese

    Editore: Rowman and Littlefield Publishers, 2017

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  • Lingua: Inglese

    Editore: Bloomsbury Publishing Plc, Lanham, MD, 2017

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    Hardcover. Condizione: new. Hardcover. This unique collaboration between a musicologist and two pianists all experts in Russian music takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabins death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabins solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabins reception: the myths generated by Scriabins biographers, his claims to synaesthesia or color-hearing, his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabins challenging scores at the keyboard.Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer. The Alexander Scriabin Compendium offers a modern perspective on the history, reception, interpretation, and performance of Scriabins music. It offers complete overviews of his music, performance suggestions for pianists, and critical commentary on four controversial subjects in his critical reception. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Lingua: Inglese

    Editore: Rowman & Littlefield, 2017

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    Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

  • Lingua: Inglese

    Editore: Bloomsbury Publishing Plc, Lanham, MD, 2017

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    Hardcover. Condizione: new. Hardcover. This unique collaboration between a musicologist and two pianists all experts in Russian music takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabins death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabins solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabins reception: the myths generated by Scriabins biographers, his claims to synaesthesia or color-hearing, his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabins challenging scores at the keyboard.Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer. The Alexander Scriabin Compendium offers a modern perspective on the history, reception, interpretation, and performance of Scriabins music. It offers complete overviews of his music, performance suggestions for pianists, and critical commentary on four controversial subjects in his critical reception. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Lingua: Inglese

    Editore: Rowman & Littlefield Publishers, 2017

    1442232617 / 9781442232617

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    Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The Alexander Scriabin Compendium offers a modern perspective on the history, reception, interpretation, and performance of Scriabin s music. It offers complete overviews of his music, performance suggestions for pianists, and critical commentary on four co.

  • Lingua: Inglese

    Editore: Rowman & Littlefield Publishers, 2017

    1442232617 / 9781442232617

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    Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH

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    Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This unique collaboration between a musicologist and two pianists all experts in Russian music takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabin's death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabin's solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabin's reception: the myths generated by Scriabin's biographers, his claims to synaesthesia or 'color-hearing,' his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabin's challenging scores at the keyboard.Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer.