ISBN: 9781442246775 - cello practice, cello performance (17 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 137 pages. 11.00x8.50x0.50 inches. In Stock.

Condizione: New. pp. 180.

Condizione: New. pp. 180.

Condizione: New. Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. Num Pages: 154 pages, 163 black & white illustrations, 2 tables. BIC Classification: AVRL; AVS. Category: (P) Professional & Vocational. Dimension: 280 x 214 x 12. Weight in Grams: 434. . 2015. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: New. Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. Num Pages: 154 pages, 163 black & white illustrations, 2 tables. BIC Classification: AVRL; AVS. Category: (P) Professional & Vocational. Dimension: 280 x 214 x 12. Weight in Grams: 434. . 2015. Paperback. . . . .…

Paperback. Condizione: new. Paperback. What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellistscollege-bound high school students, undergraduate and graduate students, educators, and professional performersand teaches them how to be their own best teachers. Most other works that instruct cellists in the art of playing their instrument come in two predictable formsemphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements.…

Paperback. Condizione: new. Paperback. What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellistscollege-bound high school students, undergraduate and graduate students, educators, and professional performersand teaches them how to be their own best teachers. Most other works that instruct cellists in the art of playing their instrument come in two predictable formsemphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Most other works that instruct cellists in the art of playing their instrument come in two predictable formsemphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action.…