9781469662978 - dancing with the revolution: power, politics, and privilege in cuba di schwall, elizabeth b. (20 risultati)
Lingua: Inglese
Editore: University of North Carolina Press, 2021
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Lingua: Inglese
Editore: University of North Carolina Press, 2021
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Lingua: Inglese
Editore: The University of North Carolina Press, US, 2021
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Paperback. Condizione: New. Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolu…tionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.
Lingua: Inglese
Editore: MP-NCA Uni of North Carolina, 2021
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Lingua: Inglese
Editore: Univ of North Carolina Pr, 2021
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Editore: Univ of North Carolina Pr, 2021
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Lingua: Inglese
Editore: Univ of North Carolina Pr, 2021
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Lingua: Inglese
Editore: The University of North Carolina Press, 2021
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Lingua: Inglese
Editore: The University of North Carolina Press, Chapel Hill, 2021
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Paperback. Condizione: new. Paperback. Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, la…ter, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world. Aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Elizabeth Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Univ of North Carolina Pr, 2021
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Paperback. Condizione: Brand New. 298 pages. 9.50x6.50x0.75 inches. In Stock.
Lingua: Inglese
Editore: The University of North Carolina Press, 2021
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Editore: Univ of North Carolina Pr, 2021
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Editore: The University of North Carolina Press, 2021
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Lingua: Inglese
Editore: Univ of North Carolina Pr, 2021
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Condizione: New. pp. 320.
Lingua: Inglese
Editore: Univ of North Carolina Pr, 2021
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Paperback. Condizione: Brand New. 298 pages. 9.50x6.50x0.75 inches. In Stock.
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Lingua: Inglese
Editore: UNIV OF NORTH CAROLINA PR, 2021
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Kartoniert / Broschiert. Condizione: New. Aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Elizabeth Schwall analyzes how and why dance artists interacted .
Lingua: Inglese
Editore: The University of North Carolina Press, Chapel Hill, 2021
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Paperback. Condizione: new. Paperback. Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, la…ter, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world. Aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Elizabeth Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Lingua: Inglese
Editore: The University of North Carolina Press, US, 2021
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Paperback. Condizione: New. Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolu…tionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.
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Lingua: Inglese
Editore: University Of North Carolina Press Mai 2021, 2021
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Taschenbuch. Condizione: Neu. Neuware - Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, l…ater, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.
