9781469674087 - southern/modern: rediscovering southern art from the first half of the twentieth century (24 risultati)
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
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Da: SophiBooks, manor, TX, U.S.A.SophiBooks
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Condizione: New. .listing { font-size: 16px; } .description { margin-left: 20px; } .listing .images { max-width: 90%; border-top-left-radius: 16px !important; border-top-right-radius: 16px !important; border-bottom-left-radius: 16px !important; border-bottom-right-radius: 16px !important; padding: 10px 10px !important; } .listin…g .images img { max-height: 520px; max-width: 100%; text-align: center; margin: 0 auto; display: block; } .listing .row { margin-top: 20px; } .panel-container { margin-top: 30px; } .listing li { margin-bottom: 5px; } .listing .panel-default { border-color: #000; } .listing .panel-default .panel-heading { color: #fff; background-color: #444; border-color: #444; } .listing .panel { margin-left: 30px; } .listing .panel-body { min-height: 140px; } .listing .section { width: 48.6666%; } .listing .created-via { font-style: italic; } @media screen and (max-width: 1023px) { .row { margin: 0px; } .col, .listing .section { margin-left: 10px; padding-left: 5px; padding-right: 5px; width: 90%; } } Southern/Modern: Rediscovering Southern Art from the First Half of the Twentieth Century [Hardcover] Stuhlman, Jonathan and Severens, Martha R. Inspired by a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernisms thriving presence in the Southuntil now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of high modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects. Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd A. Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz. Fast and Free Shipping You're already purchasing the item. Why pay additional for shipping, especially slow shipping? We get your order shipped out w.
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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EUR 48,84
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hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Lingua: Inglese
Editore: The Mint Museum / The University of North Carolina Press, Charlotte, N.C. / Chapel Hill, 2023
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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Hardcover. Condizione: As new. Light blue-green DJ with white and black lettering; blue cloth over boards with orange metallic lettering; xv, 254 pp.; richly illustrated. "This book was published in conjunction with the exhibition Southern/Modern, organized by The Mint Museum, Charlotte, NC .; Georgia Museum of Art, Athens, GA,…June 17-December 10, 2023, Frist Art Museum, Nashville, TN, January 25-April 21, 2024, Dixon Gallery and Gardens, Memphis, TN, July 14-September 29, 2024, The Mint Museum, Charlotte, NC, October 26, 2024-February 2, 2025"-- Title page verso.
Lingua: Inglese
Editore: The Mint Museum / The University of North Carolina Press, Charlotte, N.C. / Chapel Hill, 2023
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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Hardcover. Light blue-green DJ with white and black lettering; blue cloth over boards with orange metallic lettering; xv, 254 pp.; richly illustrated. "This book was published in conjunction with the exhibition Southern/Modern, organized by The Mint Museum, Charlotte, NC .; Georgia Museum of Art, Athens, GA, June 17-December 10,… 2023, Frist Art Museum, Nashville, TN, January 25-April 21, 2024, Dixon Gallery and Gardens, Memphis, TN, July 14-September 29, 2024, The Mint Museum, Charlotte, NC, October 26, 2024-February 2, 2025"-- Title page verso. VG (DJ is very lightly shelfworn; textblock edge has a smudge.).
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.
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Da: Birmingham Museum of Art, Birmingham, AL, U.S.A.Birmingham Museum of Art
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Hardcover. Condizione: New. Condition: New. International shipping will be extra. Thank you.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. Drawn from a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume catalogs works from the exhibition and assesses a broader body of contex…tual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South-until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects.Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz.
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Da: California Books, Miami, FL, U.S.A.California Books
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: The University of North Carolina Press, Chapel Hill, 2023
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Hardcover. Condizione: new. Hardcover. Drawn from a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume catalogs works from the exhibition and assesses a broader bo…dy of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the Southuntil now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects.Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz. The first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernisms thriving presence in the South. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Hardcover. Condizione: Brand New. 304 pages. 12.00x9.00x1.30 inches. In Stock.
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Hardcover. Condizione: Brand New. 304 pages. 12.00x9.00x1.30 inches. In Stock.
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Condizione: New. Über den AutorJonathan Stuhlman is senior curator of American art at the Mint Museum in Charlotte, North Carolina. Martha R. Severens was curator at the Greenville County Museum of Art in Greenville, South Carolina, from 1992 to 201.
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Hardback. Condizione: New. Drawn from a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume catalogs works from the exhibition and assesses a broader body of contex…tual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South-until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects.Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Buch. Condizione: Neu. Neuware - Drawn from a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume catalogs works from the exhibition and assesses a broader body of…contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the Southuntil now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of 'high' modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects.Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz.
